After HMV’s pioneering successes recording the Mozart/da Ponte operas and the Magic Flute in the 1930s, it was some time before any other major Mozart operas reached the recording studios. In the meantime it fell to the French company “L’Anthologie Sonore” to bring another Mozart opera to the world, from occupied France in 1941. Bastien und Bastienne was Mozart’s third opera. It is a one-act singspiel to a libretto by Weiskern (a translation of a French original), and was written when Mozart was just twelve. This premiere recording was of the French version by Gauthier-Villars and Hartmann (published by Schott). A number of cuts were made in order to fit the work on to twelve 10” sides. These are noted below.A translation of the original notes accompanying the records can be found here.
The performance, conducted by Gustave Cloëz, is perhaps too light and delicate for modern tastes, and this aspect is emphasised further by the use of the French version, particularly from the two male singers. |
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Mozart – Bastien et Bastienne L’Orchestre de la Société des Concerts du Conservatoire, Paris, Gustave Cloëz Martha Angelici, soprano – Bastienne Paul Derenne, tenor – Bastien André Monde, bass – Colas Pauline Aubert, harpsichord |
L’Anthologie Sonore FA801-6 (10″) Matrices JF 1 to JF 12, all first takes (M3-102726 to M3-102737) (Not recorded in side order. Side 9, 1, 7, 2, 3, 12, 10, 11, 4, 5, 6, 8) Recorded 20th to 24th September 1941Side 1: Introduction – Air de Bastienne “Mon tendre ami Bastien” Side 2: Récit du Bastienne “Bastien, quoi tu me fuis” – Air de Bastienne “A travers la prairie” Side 3: Airs de Colas “Souvent vous invoquez mon art” – Récit de Bastienne et Colas “Bonjour, Seigneur Colas” Side 4: Airs du Bastienne “Que de fois celui que j’aime” et “Des flatteurs souvent” Side 5: Récit de Colas “Eh! bien, sois satisfaite” – Duetto de Colas et Bastienne “Ces avis, que je t’adresse” Side 6: Airs de Bastien “Cher Seigneur” et “Va, ce n’est là qu’une fable” Side 7: Air de Colas “Diggi, daggi” – Air de Bastien “Doux regards” Side 8: Air de Bastienne “Son coeur, je m’en cru certaine” Side 9: Air de Bastien “Oui, da! je ris de tes outrages” – Air de Bastienne “Il n’est besoin que d’un sourire” Side 10: Récit de Bastien “Hé quoi? tu ris de ma prière” – Duo de Bastien et Bastienne “Va, berger, perfide” Side 11: Duo de Bastien et Bastienne “Quand vient l’hiver qu’importe” Side 12: Terzetto “Fort bien, après la tempête” The various cuts are noted in the following track listing: |
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- Ines Maria Ferraris
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- Janine Micheau
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- Lina and Rosa Garaviglia
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- Pierre Germain
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- Tudor Davies
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- CRQ CD076 – Percy Pitt conducts, Vol. 1
- CRQ CD095 – Percy Pitt conducts, Vol. 2
- CRQ CD104 – Percy Pitt conducts, Vol. 3
- CRQ CD120 – Lorenzo Molajoli conducts the Milan Symphony Orchestra
- CRQ CD131-132 – Percy Pitt conducts Vol. 4
- CRQ CD144 – Eugene Goossens conducts Gramophone premières
- CRQ CD153 – Eugene Goossens conducts Vol. 2: Edison Bell and Columbia recordings
- CRQ CD171-172 – The Virtuoso String Quartet
- CRQ CD182-183 – Alick Maclean conducts light music, Vol. 1
- CRQ CD192 – Marjorie Hayward and Una Bourne
- CRQ CD193 – Alick Maclean conducts light music, Vol. 2
- CRQ CD210-211 – By Spa and Seaside
- CRQ CD223-224 – Homage to Arthur de Greef, Isolde Menges and Landon Ronald
- CRQ CD239-240 – Sir Landon Ronald conducts the late Tchaikovsky Symphonies
- CRQ CD244-246 – Sir Edward German: the complete issued recordings
- CRQ CD296-297 – Albert Coates – the rare Columbia recordings (1919-1921), Beethoven’s Ninth (1923) and other treasures
- CRQ CD328-329 – Albert Coates Vol. 2 – The acoustic Richard Strauss recordings (1921-1924), choral music and rarely reissued Wagner
- CRQ CD340-341 – The Saga years, Vol. 2: Maurice Cole plays Bach’s ‘48’. Book 1.
- CRQ CD363 – Albert Coates Vol. 3 – London Symphony Orchestra rarities (1926-1932)
- CRQ CD378-380 – The Saga years, Vol. 3: Maurice Cole plays Bach’s ‘48’. Book 2; Italian Concerto; Overture in the French Style
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