Although Mark Hambourg and Landon Ronald gave concerts together on numerous occasions, they only recorded together once, in their 1926 account of the Tchaikovsky 1st Piano Concerto. Some listeners may find the choices of tempo in this recording to be odd in places, but Hambourg considered Ronald to be an outstanding accompanist, and this is obviously the way they wanted the piece to go. Ronald’s book “Myself and Others – Written Lest I Forget” contains the following signed picture of Hambourg. The dedication reads “To my friend Landon Ronald, a memento of one the finest performances of the Tchaikovsky Piano Concerto.” The date is not quite decipherable, but may be 1906.
Hambourg lived in London from 1889-91, between the ages of 10 and 12. The Magazine of Music had the following to say about him in its September 1890 issue. Interestingly, the names of the Hambourg children were adjusted for the British public: Mark became Max, violinist Jan became James, and Boris was to be called Bernard (though at the time of this article he was too young to be performing, and keeps his original name). It’s also noteworthy, that Mark’s date of birth is given as 1st August 1880 in this article, but Eric Koch’s biography of the brothers Hambourg gives May 30th 1879.
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Saint-Saëns – Piano Quartet in B flat major Op.41 – Scherzo Marjorie Hayward, violin Frank Bridge, cello C. Warwick-Evans, cello Mark Hambourg, piano Saint-Saëns – Scherzo from Piano Quartet in B flat – Hambourg et al (mp3 files – click to play, or right click the link, then select “Save as”) |
His Master’s Voice 08054 Matrix HO 2726ef Recorded 7th July 1917 Play at 78rpm The recording contains the following sections of the score: |
Chopin – Polonaise in A major Op.40 No.1 (“Military”) Schubert-Tausig – Marche Militaire Mark Hambourg, piano Download – Chopin – Polonaise in A – Mark Hambourg (mp3 files – right click the link, then select “Save as”) |
His Master’s Voice D 486 Matrices HO 4160af, 4162af (05646, 05647) Recorded 15th December 1919, London |
Chaminade – Automne (recorded on a Keith Prowse Model “C” Upright Piano) Chopin – Nocturne in F# major Op.15 No.2 (recorded on a Keith Prowse Model “A” Upright Piano) Mark Hambourg, piano Download: Chaminade Automne Hambourg |
Privately recorded by His Master’s Voice for Keith Prowse pianos: 5819, 5820 Matrices Bb 8063-I, 8064-II Recorded 8th March 1926, Hayes In 1926, Hambourg recorded two sides to demonstrate the upright pianos produced by Keith Prowse. Although he was to re-record the Chaminade in 1931, this is his only account of Chopin’s F# major Nocturne. |
Tchaikovksy – Piano Concerto No.1 in B flat minor Op.23 I – Allegro non troppo e molto maestoso II – Andantino semplice III – Allegro con fuoco Royal Albert Hall Orchestra, Sir Landon Ronald Mark Hambourg, piano Mediafire link for Tchaikovsky – Piano Concerto No.1 – Hambourg, Ronald (These are zip files – left click the link, download the files, then unzip when downloaded) |
His Master’s Voice D 1130-33
Matrices CR 736-IA, 737-I, 738-IA, 739-I, 732-IIA, 733-IA, 734-IA, 735-IA (single side numbers 05951/4, 05947/50) Recorded 28th September 1926, Kingsway Hall, London |
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- CRQ CD244-246 – Sir Edward German: the complete issued recordings
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- CRQ CD363 – Albert Coates Vol. 3 – London Symphony Orchestra rarities (1926-1932)
- CRQ CD378-380 – The Saga years, Vol. 3: Maurice Cole plays Bach’s ‘48’. Book 2; Italian Concerto; Overture in the French Style
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- About the site
- Artists
- Brass and military bands
- Chamber ensembles
- Conductors
- Piano, keyboard and percussion players
- Spoken word and miscellaneous
- String players
- Vocalists and choirs
- Anonymous vocalists
- Baritones
- Basses and bass-baritones
- Child vocalists
- Choirs
- Mezzo-sopranos and contraltos
- Pop singers
- Sopranos
- A-E
- F-M
- Alberta Hopkins
- Andrée Grandjean
- Carole Lynne
- Carrie Lanceley
- Clara Joanna
- Dame Nellie Melba
- Eleanor Jones-Hudson
- Geraldine Farrar
- Giuseppina Huguet
- Ines Maria Ferraris
- Jane Marignan
- Jane Marnac
- Janine Micheau
- Johanna Gadski
- Lina and Rosa Garaviglia
- Luella Melius
- Marguerite Mérentié
- Marguerity Marilly
- Maria Gantéri
- Miriam Licette
- N-S
- T-Z
- Tenors
- A-C
- D-L
- Andreas Dippel
- Carlo Dani
- Claude Devos
- Dan Jones
- Edward Leer
- Erik Enderlein
- Gaston de Poumayrac
- Giuseppe Lenghi-Cellini
- Guglielmo Fazzini
- Heinz Kraayvanger
- Jean de Reszke
- Leo Larsen
- Lorenz Fehenberger
- Nicolai Gedda
- Octave Dua
- Parry Jones
- Paul Derenne
- Paul Franz
- Pierre Germain
- Pietro Lara
- Tudor Davies
- M-R
- S-Z
- Wind players
- Books and texts
- CRQ Editions
- CRQ CD076 – Percy Pitt conducts, Vol. 1
- CRQ CD095 – Percy Pitt conducts, Vol. 2
- CRQ CD104 – Percy Pitt conducts, Vol. 3
- CRQ CD120 – Lorenzo Molajoli conducts the Milan Symphony Orchestra
- CRQ CD131-132 – Percy Pitt conducts Vol. 4
- CRQ CD144 – Eugene Goossens conducts Gramophone premières
- CRQ CD153 – Eugene Goossens conducts Vol. 2: Edison Bell and Columbia recordings
- CRQ CD171-172 – The Virtuoso String Quartet
- CRQ CD182-183 – Alick Maclean conducts light music, Vol. 1
- CRQ CD192 – Marjorie Hayward and Una Bourne
- CRQ CD193 – Alick Maclean conducts light music, Vol. 2
- CRQ CD210-211 – By Spa and Seaside
- CRQ CD223-224 – Homage to Arthur de Greef, Isolde Menges and Landon Ronald
- CRQ CD239-240 – Sir Landon Ronald conducts the late Tchaikovsky Symphonies
- CRQ CD244-246 – Sir Edward German: the complete issued recordings
- CRQ CD296-297 – Albert Coates – the rare Columbia recordings (1919-1921), Beethoven’s Ninth (1923) and other treasures
- CRQ CD328-329 – Albert Coates Vol. 2 – The acoustic Richard Strauss recordings (1921-1924), choral music and rarely reissued Wagner
- CRQ CD340-341 – The Saga years, Vol. 2: Maurice Cole plays Bach’s ‘48’. Book 1.
- CRQ CD363 – Albert Coates Vol. 3 – London Symphony Orchestra rarities (1926-1932)
- CRQ CD378-380 – The Saga years, Vol. 3: Maurice Cole plays Bach’s ‘48’. Book 2; Italian Concerto; Overture in the French Style
- Links
- Operas and choral works
- Record labels
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