Damian's 78s (and a few early LPs)

Historic recordings remastered. Not a sales list!

A festive feast of Wagner and Verdi

To round off the Wagner and Verdi bicentenary year, I’ve gathered a varied selection of music by these two operatic greats, in various guises.

Dajos Béla recorded extensively in many genres. The following abridged version of the Tannhäuser Overture is one of his more straightforwardly classical recordings, though the scoring is adapted for his band of the time – a piano can definitely be heard contributing.

Wagner – Tannhäuser – Overture (abridged)
Künstler-Kapella Dajos Béla

Wagner – Tannhäuser – Overture – Dajos Béla

(mp3 file – click to play, or right click the link, then select “Save as”)

Odeon AA79816-7
Matrices xxBo 7551, 7552-II
Recorded 24th April 1923
Plays in A440 at 80rpm
Dan Godfrey has appeared here on many occasions, but this is the first time I’ve transferred anything by his eldest son, Dan Godfrey Jr. He very much followed in his father’s footsteps. He was appointed by the nascent BBC to conduct the 2LO Military Band with whom he recorded some 50 sides for the Edison Bell company, mostly arrangements of serious classical fare.

Wagner – The Rhinegold – Entry of the Gods into Valhalla
2LO Military Band, Dan Godfrey Jr

Wagner – Rhinegold – Entry of the Gods – 2LO Military Band, Godfrey Jr

(mp3 file – click to play, or right click the link, then select “Save as”)

Winner 4112
Matrices 8921B-1, 8922B-1
Recorded and issued 1924
Plays in A452 at 80.3rpm

 

The Dresden-born Emil Enderlein (b 1887) started as a lyric tenor, before developing into a Heldentenor. He sang Walther in Die Meistersinger at Bayreuth in 1925, and Parsifal and the Götterdämmerung Siegfried at the Zoppot Forest Opera in 1927-28. After his Bayreuth performances he changed his stage name to Erik Enderlein, and continued to perform well into the 1930s. After retirement he worked as a singing teacher in Berlin. He recorded for Pathé, Parlophone, Polyphon and Polydor as Emil Enderlein, but this curious
piano accompanied account of two excerpts from the Ring cycle appeared on the Piccadilly label, an offshoot of the Metropole label. The recordings are likely to have been made in 1929 when he sang at Covent Garden.

Wagner – The Valkyrie – Spring Song
Wagner – Siegfried – Forging Song
Eric Enderlein, tenor with piano

Wagner – Valkyrie – Spring Song – Enderlein

Wagner – Siegfried – Forging Song – Enderlein

(mp3 file – click to play, or right click the link, then select “Save as”)

Piccadilly No.5020
Matrices 1914, 1915
Recorded 1929
78.3rpm

 

The Carl Rosa Opera Company was a mainstay of opera in English from 1873 to 1960 (before being revived in 1997) performing in London and all round Britain. The selection from Lohengrin is conducted by Arthur Hammond (1904-1991) who joined the company in 1928, but by 1936 was working at Covent Garden. Imperial records were produced by the Crystalate company from 1920 to 1934, probably placing this record in the early 1930s. None of the soloists are named, but are likely to be Carl Rosa regulars of the period (but probably not among the top rank singers who were contracted to other recording companies.)

Wagner – Lohengrin – Vocal Selection
Arthur Hammond, Carl Rosa Orchestra, Carl Rosa Opera Company

Wagner – Lohengrin – vocal selection – Carl Rosa Co, Hammond

(mp3 file – click to play, or right click the link, then select “Save as”)

Imperial Z 115
Matrices T.I. 146.A, 148.A
Recorded c1931-32
79.1rpm

 

The French tenor Paul Franz (1876-1950) was born François Gauthier in Paris. He did not train as a singer until he was almost 30, but soon was in demand across a wide repertoire.

Wagner – Tristan & Isolde – Ou Tristan va se rendre
Wagner – Le Crépuscule des Dieux – Mort de Siegfried
Paul Franz, tenor with Orchestra

Wagner – Tristan und Isolde – Ou Tristan va se rendre – Paul Franz

Wagner – Götterdämmerung – Siegfried’s Death – Paul Franz

(mp3 file – click to play, or right click the link, then select “Save as”)

Pathé No.0286 (29cm, paper label, edge start)
Recording numbers 2376, 2494 R
Recorded c1919-20
Disc transfers 8th Jan 1924, 4th September 1924
73.1rpm, 76.5rpm

 

Borghild Bryhn-Langaard (1883-1939) was a Norwegian soprano, taught partly by Grieg’s wife Nina Hagerup. She sang the Rhinegold Fricka and Valkyrie Brünnhilde in Richter’s English Ring cycle at Covent Garden in 1908.

Wagner – Tannhäuser – Elizabeth’s Greeting
Wagner – Die fligende Holländer – Senta’s Ballad
Borghild Bryn (Borghild Lindvig Bryhn-Langaard), soprano with Orchestra

Wagner – Tannhäuser – Dich teurer Halle – Bryn

Wagner – Die fliegende Holländer – Senta’s Ballad – Bryn

(mp3 file – click to play, or right click the link, then select “Save as”)

Pathé 729
Recording numbers 77198, 77201
Matrices 24198 G, 47320 GR
Recorded 1917-18, Berlin
Play in score pitch at 94.4rpm, 91.5rpm

 

The cellist W.H. Squire recorded extensively for the Gramophone Company and Columbia, with large works interspersed with lighter pieces or arrangements of standards.

Wagner – Tannhäuser – O Star of Eve
W.H. Squire, cello with piano

Wagner – Tannhäuser – O Star of Eve – WH Squire


(mp3 file – click to play, or right click the link, then select “Save as”)

His Master’s Voice 7886
Matrix ak 14731e
Recorded 5th January 1912, London
78.4rpm

 

Landon Ronald needs little introduction for those who know this site well. A Wagner celebration could not go by without including something from him.

Wagner – Götterdämmerung – Siegfried’s Funeral March
Royal Albert Hall Orchestra, Landon Ronald

Wagner – Götterdämmerung – Siegfried’s Funeral March – RAHO, Ronald


(mp3 file – click to play, or right click the link, then select “Save as”)

His Master’s Voice D 502
Matrices HO 4434af, 4433-IIaf (3-0529, 3-0530)
Recorded 11th June 1920, Hayes
79.6rpm
John Barbirolli is also a name that requires little introduction, and his later recordings are well known. But early efforts like this operatic selection have received less attention.

Wagner – Tannhäuser – Selection (arr Alfonso Gibilaro)
London Symphony Orchestra, John Barbirolli

Wagner – Tannhäuser – selection – LSO, Barbirolli


(mp3 file – click to play, or right click the link, then select “Save as”)

His Master’s Voice C 2293
Matrices 2B 1102-1, 1103-1 (32-2441, 32-2442)
Recorded 25th September 1931, Queen’s Hall, London
77.6rpm

 

The Zoppot Forest Opera ran from 1921 to 1944 in Sopot (now in Poland) and was known as the Bayreuth of the North. Many prominent singer and conductors performed there, though by 1942 when Siegfried and Die Meistersinger were performed, the singers were perhaps not such big names, but still acquit themselves well.

Wagner – Siegfried:
Siegfried und die Stimme des Waldvogels a.d. 2 Akt – Freundliches Vöglein, dich frage ich nun
Zwischenspiel a.d. 3 Akt
Berlin State Orchestra, Robert Heger
Heinz Kraayvanger, tenor.
Cova Wackers, soprano

Wagner – Siegfried – Woodbird scene – Kraayvanger, Wackers, Heger

Wagner – Siegfried – Interlude to Act 3 Scene 3 – Heger


(mp3 file – click to play, or right click the link, then select “Save as”)

Polydor 67922
Matrices 1880½-GS9, 1891½-GS9
Recorded 18th June 1942 “Aufnahmen mit Künstlern der Zoppoter Waldoper 1942”
77.1rpm

 

Giuseppe Lenghi-Cellini, born in Italy in 1881 had a substantial career in Britain, performing in concerts and opera. He recorded extensively for Parlophone, but can also be heard on Regal and Piccadilly.

This particular record has a bad fracture affecting the first minute or so of each side.

Verdi – Il Trovatore – Ah si ben mio; Di quella pira
Giuseppe Lenghi Cellini, tenor with Orchestra

Verdi – Il Trovatore – Ah si ben mio – Lenghi-Cellini

Verdi – Il Trovatore – Di quella pira – Lenghi-Cellini


(mp3 file – click to play, or right click the link, then select “Save as”)

Piccadilly No.5032
Matrices 3556-2, 3559
Recorded c1930
79.3rpm (Di quella pira transposed down a semitone)
Alick Maclean is a favourite conductor of mine, though few of his recordings have appeared here so far. He recorded extensively with the NQHLO, and also regularly conducted the Scarborough Spa Orchestra.

Verdi – Aida – Selection
The New Queen’s Hall Light Orchestra, Alick Maclean

Verdi – Aida – selection – NQHLO, Maclean


(mp3 file – click to play, or right click the link, then select “Save as”)

Columbia L 1439
Matrices 75089-2, 75090-2
Recorded 11th May 1922, London
Available from 10/1922 to 2/1928
(Intended replacement on AX491-2; 492-2; recorded 2nd July 1924 conducted by Eugene Goossens II; test pressings made; but not issued)
80.3rpm

 

The shortlived British violinist Mary Law has appeared here before. These operatic fantasias were standard fare for her in the recording studios.

Verdi – Il Trovatore: Fantasia; La Traviata: Fantasia
Mary Law, violin with piano

Verdi – Trovatore fantasia – Mary Law

Verdi – Traviata fantasia – Mary Law


(mp3 file – click to play, or right click the link, then select “Save as”)

Zonophone Record The Twin Serial A 177
Matrices AL 8350f, AL 8354f (Z-047919, Z-047920)
Recorded 8th June 1915, London
77.9rpm

 

Stanley Chapple was the house conductor for the Aeolian Vocalion company, conducting orchestral works, as well as substantial operatic excerpts like the following. As usual, the soloists are unnamed, though I suspect that Frank Titterton can be heard on the Rigoletto selections.

Verdi – Vocal Excerpts from “Il Trovatore”
Grand Opera Company, Soloists, Full Orchestra, Stanley Chapple

Verdi – Il Trovatore – vocal excerpts – Chapple


(mp3 file – click to play, or right click the link, then select “Save as”)

Broadcast Twelve 5187-8
Matrices LO 733, 734, 735x, 736
Recorded 1930
79.0rpm

Verdi – Vocal Gems from “Rigoletto”
Grand Opera Company, Soloists, Full Orchestra, Stanley Chapple

Verdi – Rigoletto – vocal gems – Chapple


(mp3 file – click to play, or right click the link, then select “Save as”)

Broadcast Twelve 3094
Matrices LO 1108x, 1109x
Recorded 1931-2
78.5rpm

 

This HMV issue of US Victor masters of vocal gems from Aida in English disguises under the heading of “Grand Opera Company” an ensemble that includes the young Richard Crooks as Radames.

Verdi – Aïda – Vocal Gems
Grand Opera Company
Della Baker, soprano
Elsie Baker, contralto
Stanley Baughman, baritone
Rose Bryant, contralto
Helen Clark, soprano
Richard Crooks, tenor
Frank Croxton, bass
Royal Dadmun, baritone
Charles H Hart, tenor
Vivian Holt, soprano
Judson House, tenor
Olive Kline, soprano
Lucy Isabelle Marsh, soprano
Lambert Murphy, tenor
Ruth Rodgers, soprano
Orchestra, Rosario Bourdon

Verdi – Aida – vocal gems – Bourdon


(mp3 file – click to play, or right click the link, then select “Save as”)

His Master’s Voice C 1605
Matrices CVE-13995-20, 13996-23
Recorded 13th July 1928, Liederkranz Hall, New York
76.3rpm

 

In 1902-3 the Anglo-Italian Commerce Company made a number of recordings in Milan for Pathé. The two excerpts here are from a Verdi rarity, I due Foscari, and are sung by an unnamed baritone.

Verdi – I due Foscari – O vecchio cor che batti; Questa dunque è
unnamed baritone with piano
Verdi – I due Foscari – O vecchio cor che batti – unnamed baritone

Verdi – I due Foscari – Questa dunque è – unnamed baritone


(mp3 file – click to play, or right click the link, then select “Save as”)

Pathé 80098, 80874
Matrices 59089, 7555
Recorded c 1902-3, Milan
90.6rpm, 88.4rpm

 

France’s Garde Républicaine recorded extensively for many years for several companies. In Britain, the most comparable equivalent is the Coldstream Guards Band. These early operatic fantaisies have spoken introductions.

Verdi – Le Trouvère – Fantaisie
Garde Républicaine    

Verdi – Le Trouvère – Fantaisie – Garde Républicaine


(mp3 file – click to play, or right click the link, then select “Save as”)

Odeon 33318/33319
Matrices 33318-2 x, 33319-3 x
Recorded c December 1904
76.1rpm

Aida excerpts and other items with Sydney Rayner, Eva Turner, Giovanni Inghilleri, Tina Poli-Randaccio, Agustarello Affre, Jane Marignan, Frank Mullings, Elsa Stralia, Andreina Beinat, Vincenzo Bettoni, Valentina Bartolomasi, Guido Fernandez, Rosita Pagani, Enrico Trentini, conducted by Beecham, Haarth, Albergoni, Barbirolli, Sabajno, Harty; Mackenzie-Rogan, Coldstream Guards Band – Orth, Tchaikovsky; Stanley Chapple – excerpts from Stravinsky’s Firebird; Franz André – Liszt, Richard Strauss

When you have a lot of free time, it sometimes turns out that the things you planned to use it for just don’t happen. Such was the case with my summer holidays. This is why it’s been two and a half months since the last update. I hope the new selection proves interesting. I’ve been exploring recordings of Aida, and this has included branching out into one or two other recordings by some of the same artists, and occasionally other recordings on the same labels. This diversification brings us several excerpts from Tosca and Cavalleria Rusticana. The recordings are presented roughly in score order for the selections from Aida (and are annotated with the pages of the vocal score.) And just to round things off, there’s some Stravinsky from Stanley Chapple, and some Richard Strauss and Liszt from Franz André.

Verdi – Otello – (Tu! Indietro! Fuggi!…) Ora e per sempre
Verdi – Aida – (Se quel guerriero io fossi…) Celeste Aida

(VS pp6-11)

Orchestra
Sydney Rayner
, Premier Tenor of the Opera Comique, Paris

Mediafire link for Otello and Aida arias – Sydney Rayner

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Decca T.204
Matrices GA 5380-1D, GA 5382-11D
Issued April 1933
Recorded 20th December 1932

Verdi – Aida – Ritorna vincitor
Aida – Ritorna vincitor. Part 1 (VS pp52-56)
Aida – Ritorna vincitor. Part 2 (VS pp56-59)
(3½ bar overlap between sides)
Orchestra, Sir Thomas Beecham
Eva Turner,
soprano
Columbia L 2150
Matrices WAX 3931-3, 3932-2 (9956, 9958)
Recorded 19th July 1928
Available from mid October 1928 to August 1949

Puccini – Tosca – Vissi d’arte
Mascagni – Cavalleria Rusticana – Voi lo sapete

Orchestra, Sir Thomas Beecham
Eva Turner,
soprano
Columbia L 2118
Matrices WAX 3929-3, 3930-2 (9952, 9951)
Recorded 18th July 1928
Available from November 1928 to April 1950

Mediafire link for Verdi, Puccini, Mascagni arias – Eva Turner, Thomas Beecham

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Verdi – Aida – Ballet music
Side 1: a) Tanz der Priesterinnen (VS pp65-67) b) Tanz der Mohrensklaven (VS pp85-87)
Side 2: Ballettmusik a. d. 2. Akt (VS pp122-131)
Berlin State Orchestra, Herbert Haarth
Siemens Polydor 57270
Matrices 2281½ GS9, 2280½ GS9
Recorded 1943 (Depositato 10.8.43 (on both sides))

Verdi – Aida – Triumphal March Act 2
Side 1 (VS p111-117,120-122)
Side 2 (VS p121 line 4 -122, 132-141, 196-203)
Berlin State Opera Orchestra, Frieder Weissmann
Parlophone E 11041
Matrices XXB 8479/80
Recorded probably 31st March 1930

Plays at 75.1rpm

Mediafire link for Aida Ballet music and Grand March – Herbert Haarth, Frieder Weissmann

(This is a zip file – left click the link, download the file, then unzip when downloaded)

 

Verdi – Aida – Act 3 Duet


Side 1: Ciel! mio padre (VS pp215-223)
Side 2: Su, dunque, sorgete egizie coorti (VS pp223-233)
Grand Symphony Orchestra, Angelo Albergoni
Giovanni Inghilleri,
baritone – Amonasro
Tina Poli-Randaccio,
soprano – Aida
Parlophone Odeon Series R 20141
Matrices XXPh 6405/6
Recorded 20th October 1928

Puccini – Tosca:
Tre sbirri, una carrozza


La povera mi cena fu interrotta (… Gia mi dicon venal)


Orchestra , John Barbirolli
Giovanni Inghilleri,
baritone
Octave Dua, tenor
His Master’s Voice D 1701
Matrices CR 2422-I, CR 2423-I (2-052426/7)
Recorded 19th June 1929

Verdi – Un Ballo in Maschera – Eri tu che macchiavi quell’ anima


Orchestra, John Barbirolli
Verdi – Rigoletto – Pari siamo!


Orchestra of La Scala, Milan, Carlo Sabajno
Giovanni Inghilleri,
baritone
His Master’s Voice D 1823
Matrices CR 2424-II (2-052424), CF 2359-IV (2-052394)
Recorded 19th June 1929, 10th December 1928

This record has a small chunk chipped from the rim, affecting the start of the groove on both sides.

(These are mp3 files – left click the link and download the file, or press play)

Verdi – Aida – Je te revois enfin – Duo
(Pur ti riveggo) – (VS pp233-235, 245-247, 248-249)
Verdi – Aida – Mourir ô toi si belle – Duo final
(Morir, si pura e bella) – (VS pp298-300, 303-304, 308-309)
Orchestra
Agustarello Affre,
tenor – Radames
Jane Marignan, soprano – Aida

Mediafire link for Aida duets – Agustarello Affre, Jane Marignan

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Pathé AGPA P1503 (25) [88.6rpm, 28cm diameter, centre start]
Matrices 54579 GR, 60516 GR
Recorded c1906-11

Verdi – Aida – Nile Duet. From Finale, Act III
Aida – Nile Duet. From Finale, Act III. Part I (VS pp239-244)
Aida – Nile Duet. From Finale, Act III. Part II (VS pp244-249)
Orchestra, Hamilton Harty
Frank Mullings,
tenor – Radames
Elsa Stralia, soprano – Aida

Mediafire link for Aida – Nile Duet – Frank Mullings, Elsa Stralia – Hamilton Harty

(This is an mp3 file – left click the link, download the file)

Columbia 7248/9
Matrices 74063-2, 74064-2
Recorded about 3rd May 1920, 80rpm
Available from January 1921 to April 1924

This duet was reissued on double sided Columbia 7334 in April 1924, and was available in this form until August 1930

Verdi – Aida – Judgment Scene (Act IV)
Aida – Judgment Scene (Act IV) Pt.1. – Spirto del Numo
(Heavenly Spirit) (VS pp279-281(last line), 284-285)
Aida – Judgment Scene (Act IV) Pt.2. – Radames e deciso il tuo fato (We thy fate have decided) (pp285-295 (final bars omitted))
Orchestra
Andreina Beinat,
mezzo-soprano – Amneris
Vincenzo Bettoni, bass – Ramfis

Mediafire link for Aida – Judgment Scene – Vincenzo Bettoni, Andreina Beinat

(This is an mp3 file – left click the link, download the file)

Columbia-Rena Opera Record D 5540 (10”)
Matrices 41851, 41852
Recorded c1912

These sides form part of the abridged Columbia Aida, issued on 17 double sided records, though this particular issue is not from the main run of either the Italian or English issues.

Verdi – Aida – Sacerdoti, compiste un delitto (Scena del Giudizio, Act IVo) (VS pp288 – 295)
Verdi – Aida – La fatal pietra (VS pp296 – 298)
Grande Orchestra, Carlo Sabajno
Valentina Bartolomasi,
soprano – Aida
Guido Fernandez, bass – Ramfis
Rosita Pagani, mezzo-soprano – Amneris
Enrico Trentini, tenor – Radames
Gramophone Concert Record S 5178
Matrices 1013Aj (2-20254147), 971Aj (2-0254148)
Recorded 3rd November 1919, 27th October 1919
Issued 1920
These are sides 37-38 of a 40 side complete recording of Aida

Mascagni – Cavalleria Rusticana – Scena Ia
Parte Ia – “Gli aranci olezzano” (VS p11 – 20.2.2)
Parte IIa – “Cessin le rustiche opre” (VS p20.2.3 – 26)
La Scala Chorus
Grande Orchestra, Carlo Sabajno
Gramophone Concert Record S 5094
Matrices 3017c, 3018c (2-0524500, 2-0254501)
Recorded 6th April 1915
80.8rpm
These are sides 3-4 of a 20 side complete recording of Cavalleria Rusticana

Bizet – Carmen – Preludio atto IV
Orchestra of La Scala, Milan, Carlo Sabajno
Gramophone Concert Record G.C.-50547 (10”)
Matrix 10383b (50547 IV)
Recorded April 1907

Donizetti – Don Pasquale – Coro dei servitori (complete)
Gounod – Faust – Kermesse
(VS pp29-41, 44-46)
CORI DELLA SCALA
Aristide Venturi,
chorus master
Orchestra, Carlo Sabajno
Gramophone Monarch Record 054502/054503
Matrices 570c (054502 III), 629c (054503L)
Recorded October-December 1905 (approved 19/3/06), May 1906 (approved 17/9/06)

Mediafire link for Aida, Cavalleria, Carmen, Don Pasquale, Faust – Carlo Sabajno

(This is a zip file – left click the link, download the file, then unzip when downloaded)


Orth – In a Clockmakers Shop
Band of H.M. Coldstream Guards, John Mackenzie-Rogan
Gramophone Concert Record G.C.-2-178 (10”)
Matrix 3393e (2-178 II)
Recorded 19th January 1906
Issued 1906

Tchaikovsky – Finale 4th Symphony
Band of H.M. Coldstream Guards, John Mackenzie-Rogan
Gramophone Monarch Record 0185 (12”)
Matrix 2758f (0185-1*)
Recorded 17th December 1908
Issued 1909

Mackenzie-Rogan is not named on the record label.
This recording is likely to be transposed a tone down from Tchaikovksy’s original, like the Safranek arrangement for band. The recording plays in E flat at 78rpm. However, at this time, British military pitch was around A-452, so the record should probably be played at 80rpm, to be in E flat for the appropriate pitch standard.

Mediafire link for Orth, Tchaikovksy – Mackenzie-Rogan & Coldstream

(This is a zip file – left click the link, download the file, then unzip when downloaded)

 

Stravinsky – L’oiseau de feu:
Danse Infernale du roi Kastchei
Opening Key A minor, Full score p118-155
Finale
Opening Key B, Full score p166-172
Aeolian Orchestra, Stanley Chapple

Mediafire link for Stravinsky – Firebird excerpts – Stanley Chapple

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Vocalion K-05288
Matrices M.0169, M.0168
Released April 1927
R. Strauss – Der Rosenkavalier – Waltzes
Liszt – Les Preludes

L’ Orchestre Symphonique de la Radiodiffusion Nationale Belge, Franz André

Mediafire link for Richard Strauss, Liszt – Franz André

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Capitol Telefunken L 8173
Matrices L-8173-Y1, L-8173-Z1 (8-52)
Recorded 12th April 1952, 9th April 1952, Palais des Beaux Arts, Brussels

Lilian Stiles Allen; Hamilton Harty and Henry Wood – Schubert; winners of Columbia’s Schubert competition; Lilac Time

The first selection of recordings this time is of the soprano Lilian Stiles-Allen. She was widely respected in her day, though her performances were confined to the concert platform and broadcasting as she was “not suited to the operatic stage.” She was one of the original sixteen soloists in Vaughan Williams’s Serenade to Music, and went on to teach Dame Julie Andrews. She recorded a number of sides for the Edison Bell company, with the recordings appearing on various of its labels. The recordings have only rarely been reissued, and having gathered a number of them, seeing Julie Andrews perform in London prompted me to transfer these recordings of her teacher.

Mediafire link for Lilian Stiles Allen – Edison Bell recordings

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Handel – Messiah – Rejoice greatly
Handel – Theodora – Angels ever bright and fair
Edison Bell Velvet Face 700
Matrices X1663B-1, X1664E-1
Recorded c1922
Lilian Stiles Allen, soprano
Orchestra

Verdi – Aida – Act 2. Neath the chances of battle… Tremble, thou art discovered
Edison Bell X546
Matrices X1840J, X1841D
Recorded c1930
Lilian Stiles Allen, soprano. Edith Furmedge, contralto
Orchestra

Verdi – Il Trovatore – Miserere
Edison Bell Winner L5397
Matrix 13747F-2
Recorded c1930
Lilian Stiles Allen, soprano. Hardy Williamson, tenor
Orchestra, Orazio Fagotti

Mascagni – Cavalleria Rusticana – O rejoice that the Lord has arisen
Edison Bell Winner L5397
Matrix 13746E-2
Recorded c1930
Lilian Stiles Allen,
soprano
Orchestra

Mascagni – Cavalleria Rusticana – Santuzza’s Song
Edison Bell X523
Matrix X1763D
Recorded c1930
Lilian Stiles Allen, soprano
John Barbirolli’s Symphony Orchestra

Puccini – Madam Butterfly – Act 1. Love duet, finale
Edison Bell X523
Matrix X1762F
Recorded c1930
Lilian Stiles Allen, soprano.  Dan Jones, tenor
John Barbirolli’s Symphony Orchestra

Puccini – Madam Butterfly – Act 2. Flower duet: Shake the cherry tree… Not a flower left
Edison Bell Electron 0282
Matrices 11963N-1, 11964A-1
Recorded c1930
Lilian Stiles Allen, soprano. Edith Furmedge, contralto
Orchestra

Puccini – Madam Butterfly – Act 2. One Fine Day
Edison Bell Electron 0178
Matrix 11142A-1
Recorded c1930
Lilian Stiles Allen,
soprano
Orchestra

Gounod – Faust – Finale Trio
Edison Bell Electron 0178
Matrix 11143F-2
Recorded c1930
Lilian Stiles Allen, soprano. Edward Leer, tenor. Edward Halland, bass
Orchestra

HG Pelissier – Awake (Ballad)
Maude Craske Day – Arise, O sun (Ballad)
Edison Bell Winner 5199
Matrices 12845B-1, 12846A-1
Recorded c1930
Lilian Stiles Allen, soprano with piano

Monckton – A Country Girl (excerpts) (Rhajah of Bong; Under the Deodar; Two Little Chicks; Farewell; Pink Hungarian Band; Try It On Johnnie; Yo Ho Little Girls; Coo; My Own Little Girl; Speak And Tell)
Edison Bell Winner L5379
Matrices 13786F-2, 13787F-2
Recorded c1930
Lilian Stiles Allen, soprano. Tessa Deane, mezzo-soprano. Anthony Quorn, tenor
London Concert Orchestra

Lehar – Frederica – Why did you kiss my heart awake
Edison Bell Winner 5171
Matrix 13001F-2
Recorded c1930
Lilian Stiles Allen, soprano
Orchestra

Lehar – Frederica – O maiden, my maiden
Edison Bell Winner 5171
Matrix 13002B-2
Recorded c1930
Hardy Williamson, tenor
Orchestra

The remaining recordings here focus around Schubert and English Columbia. Sir Hamilton Harty, as well as recording a stunning account of Schubert’s Great C major Symphony, also recorded substantial parts of the Rosamunde music, including both the Alphonso and Estrella overture, and the Zauberharfe one.

Mediafire link for Schubert – Rosamunde music – Sir Hamilton Harty

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Schubert – Rosamunde – Overture (Die Zauberharfe)
Columbia L 1998
Matrices WAX 2654-1, 2655-2 (7526, 7530)
Recorded 2nd May 1927
Available from December 1927 to June 1947
Hallé Orchestra, Sir Hamilton Harty

As is common with many UK Columbias from this period, the stated 80rpm, turns out to be unreliable, with both sides starting at that speed and ending about  81.2rpm. The recording is somewhat cut, with side 1 containing bars 1-83 and 104-185, and side 2 containing bars 206-375 and 396 to the end.

Schubert – Rosamunde Incidental Music

Overture (Alphonso and Estrella) (2 sides)
Entr’acte No.1 (2 sides)
(a) Entr’acte No.2; (b) Shepherd’s Melody (for Clarinet, Bassoon and Horn)
Entr’acte No.3 (in B flat major) (without repeats)
Ballet Music No.1 – Andantino (in G major) (without repeats)
Ballet Music No.2 – (a) Allegro Moderato; (b) Andante un Poco Assai (without repeats)

Columbia L 2122-5
Matrices WAX 3549-2, 3550-2, 3551-1, 3552-1, 3554-3, 3555-2, 3556-2, 3553-2 (9230, 9228, 9229, 9248, 9239, 9240, 9235, 9238)
Recorded 27th April 1928
Available from September 1928 to August 1946
Hallé Orchestra, Sir Hamilton Harty

Sir Henry Wood recorded Schubert’s Unfinished symphony in a very abridged acoustic version, before making two electrical versions in 1926 and 1933.

Mediafire link for Schubert – Unfinished Symphony (1926 & 1933) – Henry Wood

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Symphony in B minor (Unfinished)

I. Allegro moderato (3 sides – no repeat)
II. Andante con moto (3 sides)

Columbia 9513-5
Matrices WAX 1490-1, 1491-2, 1492-2, 1493-2, 1494-2, 1495-2 (S654, 653, 657, 658, 652, 655)
Recorded 23rd April 1926
Originally issued on L1791-93 available January 1927 to October 1928
This issue available October 1928 to December 1933 (when it was replaced by the 1933 recording)
The New Queen’s Hall Orchestra, Sir Henry J. Wood

All sides play at the stated 80rpm

Symphony No.8 in B minor (Unfinished)

I. Allegro moderato (3 sides – no repeat)
II. Andante con moto (3 sides)

Columbia DX 551-3
Matrices CAX 6975-1, 6976-1, 6977-1, 6978-2, 6979-2, 6980-1
Recorded 30th October 1933
Available from December 1933
London Symphony Orchestra, Sir Henry J. Wood

Frank Merrick’s Two Movements in Symphonic Form and John St.Anthony Johnson’s Pax Vobiscum were the English Prize Works in the Schubert Centenary – Columbia International Composers Contest.

Mediafire link for Merrick & Johnson – Schubert competition winners – Stanford Robinson

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Frank Merrick – Two Movements in Symphonic Form (A completion of Schubert’s Unfinished Symphony)

1. Scherzo (2 sides)
2. Poco Allegro (2 sides)

Columbia 9562-3
Matrices WAX 4180-2, 4181-1, 4249-1, 4250-3 (10437, 10436, 10575, 10574)
Recorded 20th October 1928 (sides 1,2), 3rd November 1928 (sides 3,4)
Available from January 1929 to March 1942
Royal Philharmonic Orchestra, Stanford Robinson

This plays in the expected key of B minor at 76rpm.

Based on the deliberately Schubertian structure of the Scherzo, I’ve surmised that a section of music at the end of the first side is repeated at the start of the second. I’ve included two versions of the movement, one with the repeated section edited together as I believe it should be played, and one with all the music as recorded.

John St.Anthony Johnson – Pax Vobiscum
Columbia 9564
Matrices WAX 4178-2, 4179-2 (10438, 10435)
Recorded 20th October 1928
Available from January 1929 to March 1935
Royal Philharmonic Orchestra, Stanford Robinson

This plays in C sharp minor at 76rpm, the same speed as the Merrick piece recorded at the same session.

Finally some Schubert of a rather different style – as arranged by Clutsam for the musical Lilac Time.

Download – Schubert-Clutsam – Lilac Time – selection – George W Byng

(mp3 file – right click the link, then select “Save as”)

Schubert-Clutsam – Lilac Time – Selection
His Master’s Voice C 1098
Matrices Cc 2373-II, Cc 2376-II (3-0812/3)
Recorded 12th January 1923
Mayfair Orchestra, George W. Byng

Lilac Time – Selection, Part 1 (Just a little ring; The Flower; The Golden Song; Yours is my heart)
Lilac Time – Selection, Part 2 (My Sweetest Song of all; Maiden, try to smile; Girls and Boys)