Damian's 78s (and a few early LPs)

Historic recordings remastered. Not a sales list!

Christmas Carols in German and English

For the festive season, I’ve transferred a 1950s Classics Club LP of two children’s choirs singing carols in German and English.

Side 1: Children’s choir of the Hamburg-Wilhelmsburg High School, Walter Rust

Franz Gruber arr Rust – Stille Nacht, Heilige Nacht

Handel arr Rust – Tocther Zion (Judas Maccabaeus)

Trad arr Rust – In Dulci Jubilo

Trad arr Feddern – Maria auf dem Berge

Praetorius arr Rust – Es ist ein’ Ros’ entsprungen

Trad arr Jöde – Vom Himmel hoch o Engel kommt

Trad arr Rust – Maria durch ein Dornwald ging

Caspar Othmay arr Rust – Vom Himmel hoch da kommt ich her

Johann Abraham Peter Schulz arr Rust – Ihr Kinderlein kommt

Trad arr Rust – O du Fröhliche

Players and Company of the Children’s Opera Group, Margaret John (with Eric Thiman, organ)
Mendelssohn arr William H Cummings – Hark! the Herald Angels sing

Trad arr F Whitelaw – Wassail Song

Trad arr F Whitelaw – The First Nowell

Trad arr F Whitelaw – While Shepherds Watched (Este’s Psalter 1592)

Trad arr Vaughan Williams – O little town of Bethlehem

Trad arr F Whitelaw – Good King Wenceslas (Tempus adest floridum)

Trad arr F Whitelaw – Kings of Orient

Trad arr F Whitelaw – O come all ye faithful (Adeste fideles)

mp3 files – click to play, or right click the link, then select “Save as”)

Classics Club London X 516
Recorded 1950s
Issued 1950s

Coates and Shakespeare

April 23rd is Shakespeare day, and also the birthday of the great Albert Coates.

Firstly, two songs by Peter Warlock, the first to a Shakespeare test, sung by Parry Jones.

Warlock – Take, o take those lips away (Shakespeare)
Warlock – There is a lady sweet and kind
(Thomas Ford)
Parry Jones,
tenor with piano

Warlock – Take, o take those lips away – Parry Jones

Warlock – There is a lady sweet and kind – Parry Jones

(mp3 files – click to play, or right click the link, then select “Save as”)

Columbia DB 1443
Matrices CA 14645-1, 14647-1
Recorded 4th September 1934, London
Play at 78rpm

Next, two unaccompanied choral works conducted by Coates.

Sterndale Bennett – God is a Spirit
Sullivan – O Gladsome Light (from The Golden Legend)
British National Opera Company Chorus, Albert Coates

Sterndale Bennett – God is a Spirit – BNOC Chorus, Coates

Sullivan – O Gladsome Light – BNOC Chorus, Coates

(mp3 files – click to play, or right click the link, then select “Save as”)

His Master’s Voice E 397 (side numbers 4984, 4985)
Matrices Bb 6404-II, 6405-II
Recorded 27th July 1925, Hayes
Play from 77.9 to 80.7 and 81.8rpm

Finally a selection of Wagner, for which Coates was justly famed.

Wagner – The Valkyrie – The rock is surrounded by fire. Finale of opera (Loge, hear)
Orchestra, Albert Coates
Clarence Whitehill,
bass

Wagner – The Valkyrie – Loge, hear – Whitehill, Coates

(mp3 file – click to play, or right click the link, then select “Save as”)

His Master’s Voice 3-0782
Matrix Cc 1524-I
Recorded 22nd June 1922, Hayes, Room 1
Plays from 78.4 to 77.5rpm

 

Classical Recordings Quarterly and CRQ Editions

I’ve subscribed to Classical Recordings Quarterly since it began life as International Classical Record Collector in 1995. It’s always been a fascinating magazine, covering mainly historical recordings, and the performers, producers and record labels associated with them. It remains consistently fascinating, but as a small but well-produced magazine in a world of rising costs and growing competition, it needs more subscribers. So if you have a interest in historic classical recordings (and surely that applies to most visitors to this site) and do not already subscribe to CRQ, please consider doing so. You can find a free pdf of the June 2010 issue on their website, so that you can see if you are tempted by the magazine. I heartily recommend it.

I should make clear that I have a personal interest in supporting CRQ. In the Autumn and Winter 2013 issues, they published my two-part article on Percy Pitt and his recorded legacy, and I have undertaken several remastering projects for their associated CD reissue label CRQ Editions. So far the label has released more than 170 CDs in quarterly batches, some of which are now available as downloads. I’ve contributed the following to their catalogue:

CRQ CD076 (1 CD) Percy Pitt Conducts! Volume 1: French, German and Austrian repertoire – operatic selections by Bizet, Saint-Saëns, Thomas, Delibes, Wagner, Mendelssohn and Suppé.

CRQ CD095 (1 CD) Percy Pitt Conducts. Volume 2: Italian repertoire – operatic overtures and selections by Rossini, Drigo, Boccherini, Wolf-Ferrari, Verdi and Leoncavallo.

CRQ CD104 (1 CD) Percy Pitt conducts, Volume 3: Russian, Italian, Irish and English repertoire – works by Tchaikovsky, Rimsky-Korsakov, Glazunov, Puccini, Balfe, Coleridge-Taylor and Sullivan.

CRQ CD120 (1 CD) Lorenzo Molajoli conducts the Milan Symphony Orchestra in Respighi’s Fontane di Roma and orchestral works by Cimarosa, Bellini, Rossini, Mascagni, Gounod, Fucik and Tchaikovksy.

CRQ CD131-132 (2 CD) Percy Pitt conducts, Volume 4: the vocal recordings for HMV – this includes all except two of the singers with whom Pitt recorded, and also includes examples of Pitt as piano accompanist. The first CD is devoted  to international stars and Wagner, and the second to singers from the British Empire and the USA. Also included is the only example of Pitt as a concerto conductor, leading the Air from Goldmark’s Violin Concerto with Francis MacMillen plus several purely orchestral items. The singers featured are Luisa Tetrazzini, Maria Gay, Emmy Destinn, Louise Kirkby-Lunn, John McCormack, Mario Sammarco, Titta Ruffo, Graziella Pareto, Fernand Ansseau, Marie-Louise Edvina, Dmitri Smirnov, Feodor Chaliapin, Minnie Saltzmann-Stevens, Peter Cornelius, Clarence Whitehill, Robert Radford, Florence Austral, Tudor Davies, Walter Hyde, Miriam Licette, Nora d’Argel, William Samuell, Jeanne Brola, Eveline Matthews, John Harrison, Phyllis Lett, Flora Woodman, Olga Haley, Stella Power, Rosina Buckman and Edna Thornton.

CRQ CD144 (1 CD) Eugene Goossens conducts Gramophone Premières – Bach: Brandenburg Concerto No. 3; Delius: Brigg Fair; Stravinsky: Petrushka; Rimsky-Korsakov: Dubinushka; Scriabin: Rêverie Op.24; Grainger: Molly on the Shore – Irish Reel; Goossens: Tam O’Shanter – Scherzo.

CRQ CD153 (1 CD) Eugene Goossens conducts, Volume 2: the Columbia and Edison Bell recordings – Saint-Saëns: Danse Macabre; Goossens: Four Conceits, Op. 20 (first recording); Wagner: Die Meistersinger von Nürnberg and Tannhäuser: Overtures; Wolf-Ferrari: Il Segreto di Susanna: Overture; Sibelius: Scènes Historiques: Festivo; Delibes: Le Roi l’a dit: Overture ; Coppélia: 4 extracts; Planquette: Paul Jones (Surcouf): Selection; Offenbach: La Périchole: Selection; Auber: Les Diamants de la Couronne: Overture; Le Cheval de Bronze: Overture.

CRQ CD171-172 (2 CD) The Virtuoso String Quartet: pioneers of chamber music on record
Franck: Quartet in D*; Debussy: Quartet in G minor, Op. 10; Tchaikovsky; Quartet in D, Op. 11*; Beethoven: Quartet No. 12 in E flat, Op. 127, plus music for string quartet by Mendelssohn, Gossec, Grainger, Glazunov, Dittersdorf and Haydn (*=first recording) / Virtuoso String Quartet (Marjorie Hayward, Edwin Virgo, violins; Raymond Jeremy, viola; Cedric Sharpe, cello).

Further projects for this label are currently in production.

Waltzing in the New Year – Krips, Scotney and Bertin

Following the Christmas festivities, I like to ring in the new year with the Strausses. To that end, here are three of his most famous waltzes, one in purely orchestral form, one in both orchestral and vocal versions, and another only in its vocal form. The two singers had their Strauss waltzes backed by the waltz song Je veux vivre from Gounod’s Roméo et Juliette.

Josef Krips recorded numerous Strauss waltzes for DECCA with at least four orchestras, and sometimes with vocal soloists. These are his earliest DECCA accounts of this repertoire.

Johann Strauss II – The Blue Danube Waltz
National Symphony Orchestra, Josef Krips

Johann Strauss II – The Emperor Waltz
New Symphony Orchestra, Josef Krips

J Strauss II – Blue Danube – National SO, Krips

J Strauss II – Emperor – New SO, Krips

(mp3 files – click to play, or right click the link, then select “Save as”)

DECCA LW 5011 (10″ LP)
Matrices TRL 29-1A, 30-1B
Transfers from original 78rpm matrices AR 11669, 11670 (Blue Danube), AR 12162, 12163 (Emperor)
Recorded 17th October 1947 (Blue Danube) and 7th April 1948 (Emperor), Kingsway Hall, London

DECCA attempted to record both waltzes during the 1947 session, but only the Blue Danube was completed. By the time the next sessions came round, the contract with the National Symphony Orchestra had expired, so the New Symphony Orchestra were called on instead. The LP sleeve however references only the earlier orchestra. The two sides of each recording were transferred to the 33rpm matrices at inconsistent speeds, necessitating a drop in speed of about 0.3rpm halfway through each waltz (at the side join).

The Australian soprano Evelyn Scotney (1896-1967), after early studies in her homeland, was heard by the great Nellie Melba and dispatched to Paris to study with Mathilde Marchesi. She later had lessons from Tosti in London. Her career took in the Boston Opera House, the Metropolitan in New York (with Caruso) and in the UK in the 1920s.

Gounod – Roméo et Juliette – Je veux vivre
Johann Strauss II – Blue Danube Waltz (in Italian)
Evelyn Scotney,
soprano
Aeolian Orchestra

Gounod – Roméo et Juliette – Je veux vivre – Scotney

J Strauss II – Blue Danube – Scotney

(mp3 file – click to play, or right click the link, then select “Save as”)

Aeolian Vocalion A-0213
Matrices AM 8480, 10581
Recorded c1923, London
Play at 77.3rpm

The French soprano Suzanne-Marie Bertin recorded in the late 1920s and early 1930s. Several operetta sides have been reissued by Symposium, and her recording of a Reynaldo Hahn song can be heard on Youtube. This Piccadilly recording however sees her firmly in the coloratura repertoire.

Johann Strauss II – Blue Danube Waltz (in Italian)
Gounod – Roméo et Juliette – Je veux vivre
Suzanne-Marie Bertin,
soprano
with Orchestra

J Strauss II – Reves du Printemps – Bertin

Gounod – Roméo et Juliette – Je veux vivre – Bertin

(mp3 file – click to play, or right click the link, then select “Save as”)

Piccadilly No.5018
Matrices 1867-2, 1868
Recorded c1930, London
Play at 77.8rpm

Albert Coates conducts choral music

April 23rd is St George’s Day, Shakespeare’s birthday, and more importantly for this site, the anniversary of Albert Coates’s birth. For this year’s Coates tribute, we have two early electrical choral recordings: excerpts from Mendelssohn’s Elijah, and unaccompanied spurious Bach!

Georg Gottfried Wagner – Blessing, Glory and Wisdom (attr. J.S. Bach, BWV Anh 162)
Sung in English
Choir from the Chorus of the British National Opera Company, Albert Coates

G.G. Wagner – Blessing, Glory and Wisdom – BNOC Chorus, Coates

(mp3 file – click to play, or right click the link, then select “Save as”)

His Master’s Voice D 1036
Matrices Cc 64624-I, 6425-II (single side numbers 04852, 04853)
Recorded 30th July 1925, Studio B, Hayes
These sides play at standard pitch at about 74.5rpm (putting the music in E flat)

This is a rare example of Coates conducting unaccompanied choral music – the piece in question was attributed to Bach, but is now known to be by Georg Gottfried Wagner, who worked with Bach in Leipzig for a little while.

Mendelssohn – Elijah – Baal chorus; Thanks be to God
Sung in English
Chorus and Symphony Orchestra, Albert Coates

Mendelssohn – Elijah – Baal chorus – Coates


Mendelssohn – Elijah – Thanks be to God – Coates

(mp3 files – click to play, or right click the link, then select “Save as”)

His Master’s Voice D 1070

Matrices CR 37-II, CR 38-II (single side numbers 4-0781, 4-0782)
Recorded 1st December 1925, Queen’s Hall, London
These sides play in score pitch at about 78.5rpm

Malcolm Sargent conducts Handel’s Zadok the Priest and Elgar’s Pomp and Circumstance No.1 at the opening of the Royal Festival Hall

To celebrate this Diamond Jubilee weekend for Queen Elizabeth II, I present here two records from the year before her accession to the throne. The opening of the Royal Festival Hall in 1951 included Handel’s Coronation Anthem “Zadok the Priest,” which was also heard during the Queen’s Coronation in June 1953. The 1951 concert also included Elgar’s Pomp and Circumstance March No.1, a staple, of course, of British patriotic events.

Handel – Zadok the Priest
Elgar – Pomp and Circumstance March No.1 in D major Op.39 “Land of Hope and Glory”
Royal Festival Orchestra and Chorus, Sir Malcolm Sargent

Handel – Zadok the Priest – RFH, Sargent

Elgar – Pomp and Circumstance No.1 – RFH, Sargent

(mp3 files – click to play, or right click the link, then select “Save as”)

His Master’s Voice Records DA 1980, 1981
Matrices 0EA 15573-1C, 15574-1C, 15575-1A, 15576-1A
Recorded live on 3rd May 1951 at the Ceremonial Opening Concert of the Royal Festival Hall, London

Bridge Peters sings Honour and Arms

The baritone, Bridge Peters, was active in the first quarter of the 20th century. He was born in late 1878 in Haslingden, near Altrincham in Lancashire, England. In 1907 he married Daisy, and by 1911, they had a son James, and were living in Manchester, and were financially secure enough to have a domestic servant. Bridge Baron Peters lived for most of his life in or around Manchester, but appears to have moved to the south coast of England around the start of the Second World War. He died in the spring of 1949, in Honiton, Devon,

There are a few mentions of concerts to be found online, including a Prom concert on Tuesday 1st October 1912, conducted by Sir George Henschel, at which he sang Henschel’s “Young Diderich”, in an orchestration by Percy Pitt, and the first Proms performance of “The Sea Road” by Haydn Wood, with Frederick Kiddle at the piano. Peters made several recordings for the Gramophone Company between 1910 and 1914, issued on the Zonophone label, and also for Edison Bell around the same time (some issued on the Winner label.)

Handel – Samson – Honour and Arms
Bridge Peters,
baritone
with Orchestra

Handel – Samson – Honour and Arms – Bridge Peters

(mp3 file – click to play, or right click the link, then select “Save as”)

Edison Bell 24 (10”)
Matrices 2116B-3, 2117E-3
Recorded c1912

Plays in score pitch of B flat major at 75rpm.

This copy is very worn, and the sound was very thin. In re-equalising the sound, the surface noise of the record has been accentuated.

Lilian Bryant conducts and plays the piano

This update is by way of tribute to one of the significant contributors to the UK recording industry. Lilian Bryant was a pianist and conductor, and was the musical director of the Pathéphone Company, Ltd. in London. There are numerous orchestral recordings on which she is the conductor, including several popular overtures. She is likely to be the conductor or piano accompanist on numerous British Pathé vocal recordings, often uncredited. She also recorded piano solos for Columbia (and Regal) several of which were issued in Holland, where she was known as the accompanist of violinists Alfred Indig and Boris Lensky (and is credited as such on the record labels). She also crops up on the unusual Chantal de Luxe label (manufactured by Crystalate), conducting for the baritone Louis Lynel. This unusual recording and a number of her piano records are given below. The piano solos are mainly of popular songs of the day, very much in lighter mood, though she did record some popular classical pieces as well. These include the only electrical recording in the current batch, of Wagner’s Bridal Chorus, and Mendelssohn’s Wedding March. I also have several English Pathés which she may appear on as uncredited accompanist, but I’ve not yet restored them.

Drigo – Les Millions d’Arlequin – Sérénade
Toselli – Serenade
Orchestra, Lilian Bryant
Louis Lynel,
baritone

Drigo – Arlequin – Serenade – Lynel, Bryant

Toselli – Serenade – Lynel, Bryant

(mp3 files – click to play, or right click the link, then select “Save as”)

Chantal de Luxe No 1175
Matrices 2489, 2490
Recorded 1920s

Vliegpostmarsch
Slavische Serenade
Lilian Bryant,
piano

Vliegpostmarsch – Lilian Bryant

Slavische Serenade – Lilian Bryant

(mp3 files – click to play, or right click the link, then select “Save as”)

Columbia D9061
Matrices 68965, 68966
Recorded 1923?

M Yvain – Pays de Rêve
Otto Helmburgh-Holmes – Electric Girl (Shimmy Fox-Trot)
Lilian Bryant,
piano

Yvain – Pays de Rêve – Lilian Bryant

Helmburgh-Holmes – Electric Girl – Lilian Bryant

(mp3 files – click to play, or right click the link, then select “Save as”)

Columbia D9063
Matrices 68990, 68991
Recorded 1923?

Kálman – Die Bayadere – Wenn die Sterne am Himmel leuchten (Fox-Trot)
Hugo Hirsch – Wenn du einmal eine Braut hast
Lilian Bryant,
piano

Kálman – Wenn die Sterne – Lilian Bryant

Hirsch – Wenn du einmal – Lilian Bryant

(mp3 files – click to play, or right click the link, then select “Save as”)

Columbia D9064
Matrices 68992, 68993
Recorded 1923?

Gaston Gabaroche & Fred Pearly – Je n’peux pas vivre sans amour
Theo A Körner – Wenn man allein ist
Lilian Bryant,
piano

Gabaroche & Pearly – Je n’peux pas – Lilian Bryant

Körner – Wenn man allein ist – Lilian Bryant

(mp3 files – click to play, or right click the link, then select “Save as”)

Columbia D9066
Matrices 68996, 68997
Recorded 1923?

S Ehrlich – Willst du eine kleine haben (Shimmy Fox-Trot)
Armandola – Hawaiian Memories, Wals
Lilian Bryant,
piano

Ehrlich – Willst du eine kleine haben – Lilian Bryant

Armandola – Hawaiian Memories – Lilian Bryant

(mp3 files – click to play, or right click the link, then select “Save as”)

Columbia D9085
Matrices F6, F7 (15896, 15897)
Recorded 1923?

Wagner – Bruidskoor (uit Lohengrin)
(Bridal Chorus from Lohengrin, Act 3)
Mendelssohn – Hochzeits Marsch
(Wedding March from Midsummer Night’s Dream)
Lilian Bryant,
piano

Wagner – Bridal chorus (Lohengrin) – Lilian Bryant

Mendelssohn – Wedding March – Lilian Bryant

(mp3 files – click to play, or right click the link, then select “Save as”)

Columbia D9846 (electrical recording)
Matrices WF236, WF237 (21546, 21547)
Recorded 1926?

Marguerite d’Alvarez – Silent Night, Habanera, Ai nostri monti (with Giulio Crimi); George Baker – Toreador Song, Il balen

Aeolian Vocalion records are the source for a quintet of vocal recordings in time for Christmas. They also serve as a little coda to the pile of Carmen recordings that I posted here in October. The English-born contralto, Marguerite d’Alvarez, sings Silent Night, and then the Habanera from Carmen, and, with tenor Giulio Crimi, “Ai nostri monti” from Verdi’s Il Trovatore. This is followed by two more recordings from the same works – baritone George Baker, in a lesser known corner of his discography, made a number of operatic sides for Aeolian Vocalion.

Gruber – Silent Night, Holy Night
Orchestra
Marguerite d’Alvarez,
contralto

Gruber – Silent Night – d’Alvarez

(mp3 file – click to play, or right click the link, then select “Save as”)

Aeolian Vocalion C-01054 (12” single-side)
Matrix AM 7619
Recorded June 1921
Play at 78.4rpm

Bizet – Carmen – Habanera
Orchestra
Marguerite d’Alvarez,
contralto
Verdi – Il Trovatore – Ai nostri monti
Orchestra
Marguerite d’Alvarez,
contralto
Giulio Crimi, tenor

Bizet – Carmen – Habanera – d’Alvarez

Verdi – Il Trovatore – Ai nostri monti – d’Alvarez, Crimi

(mp3 files – click to play, or right click the link, then select “Save as”)

Aeolian Vocalion A-0200 (12” double-side)
Matrices AM 5151, AM 7359
Recorded 1920?, April 1921
Play at 78.5rpm and 77.9rpm respectively

Bizet – Carmen – Toreador Song
Orchestra
George Baker,
baritone

Bizet – Carmen – Toreador Song – Baker

(mp3 file – click to play, or right click the link, then select “Save as”)

Aeolian Vocalion C-01004 (12” single-side)
Matrix 01576
Recorded c1920
Play at 81.8rpm for score pitch

The record label says “in Italian”, but Baker is singing in English.

Verdi – Il Trovatore – The tempest of the Heart (Il Balen)
Orchestra
George Baker,
baritone

Verdi – Il Trovatore – Il balen – Baker

(mp3 file – click to play, or right click the link, then select “Save as”)

Aeolian Vocalion C-01005 (12” single-side)
Matrix 01593
Recorded c1920
Play at 81.8rpm to play in A flat major (a tone below score pitch)

Ferdinand Grossmann conducts two masses by Palestrina (1956)

I mentioned to Nick Morgan a litle while ago that I had a Vox LP of 2 Palestrina masses. As he’s uploaded some 1950s Palestrina, it prompted me to get on with completing the restoration of this recording. Ferdinand Grossmann has featured here as a conductor before – with the Viennese Men’s Singing Club in a 1928 recording of The Blue Danube. He was director of the Vienna Boys’ Choir from about 1940 to 1963, and directed several other choirs. This recording with the Pro Musica Choir was not favourably reviewed in Gramophone.

Palestrina – Missa Papae Marcelli; Missa Assumpta est Maria
Pro Musica Choir, Vienna, Ferdinand Grossmann

Mediafire link for Palestrina Masses – Ferdinand Grossmann

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Vox PL 10020
Matrices XTV 25089-1B, 25090-1C
Recorded 1956, Vienna

Both works are in six sections

I. Kyrie
II. Gloria in excelsis Deo
III. Credo in unum Deum
IV. Sanctus
V. Benedictus
VI. Agnus Dei I and II

Ted Andrews and his Canadian Singing Sisters – Come to the fair and What can the matter be; National Symphony Orchestra (with George W Byng?) – Barber of Seville overture

While other projects are ongoing, I want to try and get a few small items onto this site with some regularity. So there are just two items for ths latest update.

Ted Andrews was stepfather to Dame Julie Andrews, and accompanied her on some of her early 78s. This disc was privately recorded at the Star Sound Studios (just off Baker Street in London), on an unknown date, and features “Ted Andrews and his Canadian Singing Sisters.” They perform upbeat renditions of Easthope Martin’s “Come to the Fair” (which Andrews recorded with young Julie in more sedate fashion on a Columbia 78) and “Oh dear, what can the matter be?”

Easthope Martin – Come to the fair
Traditional – Oh dear, what can the matter be

Ted Andrews and his Canadian Singing Sisters

Download – Two Songs – Ted Andrews

(mp3 file – right click the link, then select “Save as” or click the play button)

Star Sound Studios – private recording without catalogue number or matrix number
Recorded 1940s?

Perhaps a more traditional offering for this site is a 10” slightly abridged electrical Zonophone recording of the overture to The Barber of Seville. This was recorded in London in 1929 with the “National Symphony Orchestra”. No conductor is named on the label or in the matrix listings, though George W Byng was the most frequent conductor for other sessions with this group.

Rossini – The Barber of Seville – Overture
National Symphony Orchestra

Download – Rossini – Barber of Seville – Overture – NSO

(mp3 file – right click the link, then select “Save as” or click the play button)

Zonophone 5569
Matrices Yy 16727-II, 16728-II (30-777/8)
Recorded 27th August 1929, Kingsway Hall, London

Side 1: bars 1-5, 11-19, 22-90 + 1st beat of bar 91
Side 2: bars 92-250, 255-264

Gordon Jacob’s William Byrd Suite – Coldstream Guards Band (1925); Stanley Chapple – Brahms Hungarian Dances, Elgar Pomp and Circumstance No.1; Franz André – Eric Coates, Elgar, Gershwin; Frieder Weissmann – Strauss’s Tod und Verklärung; Arthur Meale – Thalberg’s “Home Sweet Home”, Ascher’s “Alice, Where Art Thou?”; Capiton Zaporojetz – The Song of the Flea, Drinking (In cellar cool); Early recordings by Julie Andrews

It’s been more than a month since my last update, so there are quite a number of items to add this time. The recordings range from acoustic 78s through to mono LP, and include military band, orchestra, piano and vocal recordings.

Gordon Jacob – Suite by William Byrd

Mediafire link for Jacob – William Byrd Suite – Coldstream 1925

(This is a zip file – left click the link, download the file, then unzip when downloaded)

No.1 – The Earle of Oxford’s Marche (¾ side)
No.5 – Wolsey’s Wilde (¼ side)
No.6 – The Bells (1 side)

His Master’s Voice C 1215
Matrices Cc 5982-II, 5983-I (single-side numbers 2-0419/20)
Recorded 2nd April 1925
Band of H.M. Coldstream Guards, Lieut. R.G. Evans

Gordon Jacob’s arrangement of a number of keyboard pieces by William Byrd was made for Military Band in 1923 and orchestra in 1924. It is likely that this late acoustic recording was the earliest recording of these three movements.

Between 1909 and 1927, A=452Hz was the standard pitch for British military bands. A change to the Kings Regulations in 1927 adopted modern pitch of A=439Hz. At 78rpm the record plays at about the expected A=452Hz, slightly more than a semitone sharper than modern pitch.

Brahms – Hungarian Dances Nos. 1 and 2
Elgar – Pomp and Circumstance March No.1

Download – Brahms – Hungarian Dances Nos. 1 and 2 – Stanley Chapple

Download – Elgar – Pomp and Circumstance March No.1 – Stanley Chapple

(mp3 files – right click the link, then select “Save as” or click the play button)

Broadcast Twelve 5033
Matrices Lo.104x, LO.103
Recorded c1929
Metropolitan Symphony Orchestra, Stanley Chapple

Chapple (1900-1987) was music director for the Aeolian Company, and conducted frequently for them, though the recordings are hard to find now. These  Broadcast Twleve sides are badly affected by the persistent whistle which seems so common a feature of records on this label. I have done my best to alleviate this problem, so when you notice the remnants of it, bear in mind that it was originally much worse than it sounds now. As the whistle oscillates in pitch, whilst also gradually decreasing pitch and increasing amplitude until the end of the record, correcting it proved to be a major task!

 

Coates – London Suite

I. Covent Garden (Tarantelle)
II. Westminster (Meditation)
III. Knightsbridge (March)

Coates – London Bridge
Elgar – Pomp and Circumstance March No.1 in D major Op.39
Gershwin – An American in Paris

Mediafire link for Coates, Elgar, Gershwin – Franz André

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Telestar 10049
Matrices LP-071621-I, LP-038079-III
Recorded 2nd to 7th April 1958 (Coates), 20th April 1957 (Elgar), 19th April 1957 (Gershwin)
L’ Orchestre Symphonique de la Radiodiffusion Nationale Belge, Franz André

 

R. Strauss – Tod und Verklärung – Symphonic Poem Op.24

Download – Strauss – Tod und Verklärung – Weissmann

(This is an mp3 file – left click the link, download the file)

American Decca 25350/2
Matrices 2-21619-2, 21620, 21621-2, 21622-2, 21623, 21624 C
Recorded c1930
Philharmonic Orchestra, Frieder Weissmann

I originally transferred this recording about four years ago, before this website was born. The present file is a completely new transfer, in much improved sound.

 

R. Thalberg – Home, Sweet Home
Ascher – Alice, Where Art Thou?

Download – Thalberg – Home, Sweet Home – Arthur Meale

Download – Ascher – Alice, Where Art Thou? – Arthur Meale

(mp3 files – right click the link, then select “Save as” or click the play button)

His Master’s Voice B 3166
Matrices Bb 17255-III, 17256-III (single-side numbers 30-833/4)
Recorded 19th August 1929, London, Small Queen’s Hall, Studio C
Arthur Meale, piano

Arthur Meale was the regular organist of the Queen’s Hall. He made many organ recordings in a light and popular classical vein. This record gives us the rare opportunity to hear him as a pianist, in two nineteenth century virtuoso salon pieces. For UK comedy fans, Ascher’s melody is the one that was used as the title music for the Ronnie Barker and David Jason sitcom “Open All Hours”.

This record is in very poor condition, with a serious fracture, and a noisy surface with significant distortion – it’s still a fun listen, though.

Mussorgsky – Song of the Flea
Traditional – Drinking (In cellar cool)

Download – Mussorgsky – Song of the Flea – Capiton Zaporojetz

Download – Trad – Drinking (In cellar cool) – Capiton Zaporojetz

(mp3 files – right click the link, then select “Save as” or click the play button)

Columbia L 1991
Matrices WAX 2739-1, 2740-1 (7664/5)
Recorded 12th May 1927
Available from October 1927 to April 1941
Capiton Zaporojetz, bass with piano

I was prompted to transfer this after seeing Zaporojetz’s name mentioned in a couple of places recently. Firstly, in the booklet notes for “Firebirds of Paris”, a Ward Marston CD of French recordings of Russian repertoire from around 1930. Zaporojetz is noted as singing Prince Yuri in Rimsky-Korsakov’s Kitezh in 1926 in Paris, then in 1929 in the premiere of Stravinsky’s Oedipus Rex. He also sang the same role in Kitezh in 1935.

A few weeks after reading this, I was reading the June 2010 issue of “The Record Collector”, and the article on Marguerite D’Alvarez mentioned a concert on 2 October 1927 in London, where Thomas Beecham conducted “An Afternoon of Grand Opera” at the Royal Albert Hall. with Austral, Burke, D’Alvarez and Zaporojets.

 

Gounod – Romeo  & Juliet – Je veux vivre
Easthope Martin – Come to the fair (from “Songs of the Fair”)

Columbia DB 2470
Matrices CA 20923-2, 20924-1
Recorded c1948
Julie Andrews, soprano
Ted Andrews, baritone (Come to the fair)
Barbara Andrews, piano

Mozart-Adam – Ah! vous dirai-je mama
Benedict – The Wren

Columbia DB 2553
Matrices CA 21114-1, 21115-1
Recorded c1948
Julie Andrews, soprano
Orchestra, Ted Andrews

Mediafire link for Julie Andrews – early recordings

(This is a zip file – left click the link, download the file, then unzip when downloaded)

The first of these records has appeared here previously. It has been retransferred to be presented here with another of Julie Andrews early 78s.

Vocal Gems from the Bohemian Girl

Balfe’s “The Bohemian Girl” was a popular light opera on the English stage from the nineteenth century. Various popular arias from the work were a staple of the record catalogues in the 78rpm era, and its overture remained a favourite. The present recording is a typical “vocal gems” compilation, including three of the most popular solos and some ensemble passages. Licette and Noble remain fairly familiar names, though Russell (who sang Calaf) and Brindle (a stalwart of the Moody-Manners opera company) are barely remembered now.

Mediafire link for – Balfe – The Bohemian Girl – Vocal gems

(This is an mp3 file – left click the link, download the file)

Balfe – The Bohemian Girl – Vocal Gems
Part 1:
Happy and light of heart (p114-117); I dreamt that I dwellt (p96-98); When other lips (p178-179); Silence (p82-84, 87, transposed down a semitone)
Part 2:
The heart bowed down (p161-162, transposed down a semitone to F); Thou who in might supreme (p75-77); In the gipsy life (p32-35)
Score references to Boosey The Royal Edition vocal score (1899)

Columbia 9579
Matrices WAX 4343-2, 4344-1 (10737/8)
Recording Date 27th November 1928
Available from Jan 1929 to March 1942

Orchestra and Chorus, Charles Prentice
Miriam Licette,
soprano
Francis Russell, tenor
Dennis Noble, baritone
Harry Brindle, bass

Lilian Stiles Allen; Hamilton Harty and Henry Wood – Schubert; winners of Columbia’s Schubert competition; Lilac Time

The first selection of recordings this time is of the soprano Lilian Stiles-Allen. She was widely respected in her day, though her performances were confined to the concert platform and broadcasting as she was “not suited to the operatic stage.” She was one of the original sixteen soloists in Vaughan Williams’s Serenade to Music, and went on to teach Dame Julie Andrews. She recorded a number of sides for the Edison Bell company, with the recordings appearing on various of its labels. The recordings have only rarely been reissued, and having gathered a number of them, seeing Julie Andrews perform in London prompted me to transfer these recordings of her teacher.

Mediafire link for Lilian Stiles Allen – Edison Bell recordings

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Handel – Messiah – Rejoice greatly
Handel – Theodora – Angels ever bright and fair
Edison Bell Velvet Face 700
Matrices X1663B-1, X1664E-1
Recorded c1922
Lilian Stiles Allen, soprano
Orchestra

Verdi – Aida – Act 2. Neath the chances of battle… Tremble, thou art discovered
Edison Bell X546
Matrices X1840J, X1841D
Recorded c1930
Lilian Stiles Allen, soprano. Edith Furmedge, contralto
Orchestra

Verdi – Il Trovatore – Miserere
Edison Bell Winner L5397
Matrix 13747F-2
Recorded c1930
Lilian Stiles Allen, soprano. Hardy Williamson, tenor
Orchestra, Orazio Fagotti

Mascagni – Cavalleria Rusticana – O rejoice that the Lord has arisen
Edison Bell Winner L5397
Matrix 13746E-2
Recorded c1930
Lilian Stiles Allen,
soprano
Orchestra

Mascagni – Cavalleria Rusticana – Santuzza’s Song
Edison Bell X523
Matrix X1763D
Recorded c1930
Lilian Stiles Allen, soprano
John Barbirolli’s Symphony Orchestra

Puccini – Madam Butterfly – Act 1. Love duet, finale
Edison Bell X523
Matrix X1762F
Recorded c1930
Lilian Stiles Allen, soprano.  Dan Jones, tenor
John Barbirolli’s Symphony Orchestra

Puccini – Madam Butterfly – Act 2. Flower duet: Shake the cherry tree… Not a flower left
Edison Bell Electron 0282
Matrices 11963N-1, 11964A-1
Recorded c1930
Lilian Stiles Allen, soprano. Edith Furmedge, contralto
Orchestra

Puccini – Madam Butterfly – Act 2. One Fine Day
Edison Bell Electron 0178
Matrix 11142A-1
Recorded c1930
Lilian Stiles Allen,
soprano
Orchestra

Gounod – Faust – Finale Trio
Edison Bell Electron 0178
Matrix 11143F-2
Recorded c1930
Lilian Stiles Allen, soprano. Edward Leer, tenor. Edward Halland, bass
Orchestra

HG Pelissier – Awake (Ballad)
Maude Craske Day – Arise, O sun (Ballad)
Edison Bell Winner 5199
Matrices 12845B-1, 12846A-1
Recorded c1930
Lilian Stiles Allen, soprano with piano

Monckton – A Country Girl (excerpts) (Rhajah of Bong; Under the Deodar; Two Little Chicks; Farewell; Pink Hungarian Band; Try It On Johnnie; Yo Ho Little Girls; Coo; My Own Little Girl; Speak And Tell)
Edison Bell Winner L5379
Matrices 13786F-2, 13787F-2
Recorded c1930
Lilian Stiles Allen, soprano. Tessa Deane, mezzo-soprano. Anthony Quorn, tenor
London Concert Orchestra

Lehar – Frederica – Why did you kiss my heart awake
Edison Bell Winner 5171
Matrix 13001F-2
Recorded c1930
Lilian Stiles Allen, soprano
Orchestra

Lehar – Frederica – O maiden, my maiden
Edison Bell Winner 5171
Matrix 13002B-2
Recorded c1930
Hardy Williamson, tenor
Orchestra

The remaining recordings here focus around Schubert and English Columbia. Sir Hamilton Harty, as well as recording a stunning account of Schubert’s Great C major Symphony, also recorded substantial parts of the Rosamunde music, including both the Alphonso and Estrella overture, and the Zauberharfe one.

Mediafire link for Schubert – Rosamunde music – Sir Hamilton Harty

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Schubert – Rosamunde – Overture (Die Zauberharfe)
Columbia L 1998
Matrices WAX 2654-1, 2655-2 (7526, 7530)
Recorded 2nd May 1927
Available from December 1927 to June 1947
Hallé Orchestra, Sir Hamilton Harty

As is common with many UK Columbias from this period, the stated 80rpm, turns out to be unreliable, with both sides starting at that speed and ending about  81.2rpm. The recording is somewhat cut, with side 1 containing bars 1-83 and 104-185, and side 2 containing bars 206-375 and 396 to the end.

Schubert – Rosamunde Incidental Music

Overture (Alphonso and Estrella) (2 sides)
Entr’acte No.1 (2 sides)
(a) Entr’acte No.2; (b) Shepherd’s Melody (for Clarinet, Bassoon and Horn)
Entr’acte No.3 (in B flat major) (without repeats)
Ballet Music No.1 – Andantino (in G major) (without repeats)
Ballet Music No.2 – (a) Allegro Moderato; (b) Andante un Poco Assai (without repeats)

Columbia L 2122-5
Matrices WAX 3549-2, 3550-2, 3551-1, 3552-1, 3554-3, 3555-2, 3556-2, 3553-2 (9230, 9228, 9229, 9248, 9239, 9240, 9235, 9238)
Recorded 27th April 1928
Available from September 1928 to August 1946
Hallé Orchestra, Sir Hamilton Harty

Sir Henry Wood recorded Schubert’s Unfinished symphony in a very abridged acoustic version, before making two electrical versions in 1926 and 1933.

Mediafire link for Schubert – Unfinished Symphony (1926 & 1933) – Henry Wood

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Symphony in B minor (Unfinished)

I. Allegro moderato (3 sides – no repeat)
II. Andante con moto (3 sides)

Columbia 9513-5
Matrices WAX 1490-1, 1491-2, 1492-2, 1493-2, 1494-2, 1495-2 (S654, 653, 657, 658, 652, 655)
Recorded 23rd April 1926
Originally issued on L1791-93 available January 1927 to October 1928
This issue available October 1928 to December 1933 (when it was replaced by the 1933 recording)
The New Queen’s Hall Orchestra, Sir Henry J. Wood

All sides play at the stated 80rpm

Symphony No.8 in B minor (Unfinished)

I. Allegro moderato (3 sides – no repeat)
II. Andante con moto (3 sides)

Columbia DX 551-3
Matrices CAX 6975-1, 6976-1, 6977-1, 6978-2, 6979-2, 6980-1
Recorded 30th October 1933
Available from December 1933
London Symphony Orchestra, Sir Henry J. Wood

Frank Merrick’s Two Movements in Symphonic Form and John St.Anthony Johnson’s Pax Vobiscum were the English Prize Works in the Schubert Centenary – Columbia International Composers Contest.

Mediafire link for Merrick & Johnson – Schubert competition winners – Stanford Robinson

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Frank Merrick – Two Movements in Symphonic Form (A completion of Schubert’s Unfinished Symphony)

1. Scherzo (2 sides)
2. Poco Allegro (2 sides)

Columbia 9562-3
Matrices WAX 4180-2, 4181-1, 4249-1, 4250-3 (10437, 10436, 10575, 10574)
Recorded 20th October 1928 (sides 1,2), 3rd November 1928 (sides 3,4)
Available from January 1929 to March 1942
Royal Philharmonic Orchestra, Stanford Robinson

This plays in the expected key of B minor at 76rpm.

Based on the deliberately Schubertian structure of the Scherzo, I’ve surmised that a section of music at the end of the first side is repeated at the start of the second. I’ve included two versions of the movement, one with the repeated section edited together as I believe it should be played, and one with all the music as recorded.

John St.Anthony Johnson – Pax Vobiscum
Columbia 9564
Matrices WAX 4178-2, 4179-2 (10438, 10435)
Recorded 20th October 1928
Available from January 1929 to March 1935
Royal Philharmonic Orchestra, Stanford Robinson

This plays in C sharp minor at 76rpm, the same speed as the Merrick piece recorded at the same session.

Finally some Schubert of a rather different style – as arranged by Clutsam for the musical Lilac Time.

Download – Schubert-Clutsam – Lilac Time – selection – George W Byng

(mp3 file – right click the link, then select “Save as”)

Schubert-Clutsam – Lilac Time – Selection
His Master’s Voice C 1098
Matrices Cc 2373-II, Cc 2376-II (3-0812/3)
Recorded 12th January 1923
Mayfair Orchestra, George W. Byng

Lilac Time – Selection, Part 1 (Just a little ring; The Flower; The Golden Song; Yours is my heart)
Lilac Time – Selection, Part 2 (My Sweetest Song of all; Maiden, try to smile; Girls and Boys)

Dan Godfrey – Mozart’s Jupiter (new transfer); Hamilton Harty – Mozart Divertimento No.17; Jean Witold – Eine kleine Nachtmusik; Pauline Aubert – Rondo alla turca; Robert Veyron-Lacroix – Piano Concertos K107 (after JC Bach), with Roland Douatte; Lener Quartet – Eine kleine Nachtmusik; Don Giovanni excerpts in English – Tudor Davies, Peter Dawson, Eleanor Jones-Hudson

The focus this time is on Mozart, with a new transfer of Dan Godfrey’s recording of Symphony No.41 “Jupiter” K551, and a selection of orchestral and keyboard items, including Eine Kleine Nachtmusik, from the 1950s as presented on a French “Mode disques” LP from some time later. For a different take on Eine Kleine Nachtmusik, there is also the Lener Quartet’s 1926 recording. There are also some acoustic items from Don Giovanni, sung in English.

Mozart –Symphony No.41 in C major (“Jupiter” Symphony)

Mediafire link for Mozart – Jupiter Symphony – Dan Godfrey

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Columbia L1938-41
Matrices: WRAX 2432-2, 2433-1, 2434-2, 2435-2, 2436-2, 2437-2, 2438-2, 2439-2
Recorded 4th February 1927
Available November 1927 to April 1934
Symphony Orchestra, Sir Dan Godfrey

This recording has a substantial overlap between sides 2 and 3. The first movement spreads over 3 sides, despite lasting only a little over 8 minutes. The first side contains the exposition (which could therefore be repeated by playing the record twice.) The second side carries through into the recapitulation, up to bar 243. The third side begins at bar 212, therefore overlapping 32 bars with the previous side, a fact acknowledged (but not explained) in the notes of the original record album.

It’s a shame that Godfrey chose this unusual side arrangement – if he’d squeezed the first movement onto 2 sides, he could have included a filler on the 8th side.

Mozart – Divertimento No.17 in D major K334

Mediafire link for Mozart – Divertimento No.17 – Hamilton Harty

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Columbia LX 350-52
Matrices: CAX 7302-2, 7303-1, 7304-2, 7305-1, 7306-2, 7307-1
Recorded 1934

I. Allegro (1½ sides)
II. Theme and 6 Variations (1½ sides)
III. Menuetto & Trio
VI. Rondo: Allegro

London Philharmonic Orchestra, Sir Hamilton Harty

Harty omits the fourth and fifth movements. In the second, repeats are played only in the theme and the final variation. The finale is somewhat cut, omitting bars 127-134, 1702-1861, 2072-2151, 269 and 3362-3441.

Mozart – “Petite Musique de Nuit; Marche Turque; Concerti No.2 et 3 pour piano et orchestre”

Mediafire link for Mozart – Eine Kleine Nachtmusik, Rondo alla Turca, Piano Concertos after JC Bach – Various

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Mode Disques MDINT 9 073
(disques vogues)
Matrices MD1396-A/B
Recorded 1957

Serenade in G major K525 “Eine kleine Nachtmusik”

I. Allegro
II. Romance: Andante
III. Menuetto: Allegretto
IV. Rondo: Allegro

Ensemble Instrumental Sinfonia, Jean Witold

Piano Sonata in A major K331III. Rondo alla turca
Pauline Aubert, harpsichord

J.C. Bach arr. Mozart: Piano Concerto K.207 No.2 in G major

I. Allegro
II. Allegretto con variazioni

J.C. Bach arr. Mozart: Piano Concerto K.207 No.3 in E flat major

I. Allegro
II. Allegretto

Collegium Musicum de Paris, Roland Douatte
Robert Veyron-Lacroix
, piano

Mozart – Serenade in G major K525 “Eine kleine Nachtmusik”

Mediafire link for Mozart – Eine Kleine Nachtmusik – Lener Quartet

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Columbia L 1729-30
Matrices WAX 1125-6, 1126-6, 1127-6 or 7, 1128-7
Recorded 19th February 1926
Available from Jun 1926 to July 1943 (Side 3 take 6 replaced by take 7 on 3rd March 1927)

I. Allegro (1 side)
II. Romance: Andante (1½ sides)
III. Menuetto: Allegretto (½ side)
IV. Rondo: Allegro (1 side)

Lener String Quartet

Mozart – Don Giovanni – On her contentment (Dalla sua pace)


Mozart – Don Giovanni – To her I love (Il mio tesoro)


His Master’s Voice D 957
Matrices Cc 4572-II, 4573-II (single side numbers 2-02073/4)
Recorded 5th May 1924
Tudor Davies, tenor
Orchestra, George W Byng

Mozart – Don Giovanni – Give me thy hand, Oh fairest (La ci darem la mano)


Zonophone X-44130
Matrix 10142e (X-44130-IV)
Recorded 19th May 1909
Peter Dawson, bass-baritone
Eleanor Jones-Hudson, soprano (credited on label as Alvena Yarrow)
Orchestra

(mp3 files – left click the link and download the file, or press play)

Fabien Sevitzky – Arensky’s Variations on a Theme of Tchaikovsky; Marie Novello – Liszt’s Hungarian Rhapsody No.2; Thorpe Bates – Captain’s Song from HMS Pinafore; Joseph Batten – “March of Victory” for the National Savings Movement; Henry Wood – Vaughan Williams’s Serenade to Music (improved transfer); Michael Zacharewitsch – violin solos

The latest selection of recordings is a typically mixed bag.

Firstly, Fabien Sevitzky, who has been heard here before with the Indianapolis Symphony Orchestra, recorded slightly earlier with his own Philadelphia String Simfonietta. One product of his studio sessions was Arensky’s Variations on a Theme by Tchaikovsky, an adaptation of the third movement of Arensky’s String Quartet No.2.

The tragically short-lived English pianist Marie Novello managed to record extensively. For Winner she recorded Liszt’s 2nd Hungarian Rhapsody, though it’s somewhat gratingly abridged to fit on two 10” sides.

Thorpe Bates has also appeared here before in recordings from early in his career. The present pair of recordings take us earlier still, and also to the end of his career.

As a regular in the Gramophone Company studios, he featured in numerous ensemble recordings, not always credited on the label. A 1906 recording of the Captain’s Song from HMS Pinafore includes Bates as soloist. The accompanying choir includes Peter Dawson, whose distinctive tones can be heard particularly on each cry of “What never?” as he holds the final note longer than everyone else!

Bates also visited the studios in 1945, to take part in one of those curious patriotic records for the National Savings movement. This one celebrated the work of the British forces in securing victory in Europe, and was recorded after Hitler’s death, but a few days before VE Day. Bates contributes to the first side, and the second features Walter Saull, a baritone who had sung Dr Caius in the third performance of Vaughan Williams’s Sir John in Love in 1929 (part of the original run).

And staying with English singers, I’ve just acquired a fine set of original 78s of Vaughan Williams’s Serenade to Music, which provides a much improved transfer compared to the Columbia 7” reissue that I previously transferred.

I’ve been prompted to transfer my latest Edison Bell of the violinist Michael Zacharewitsch, who has also appeared here before. As well as the new disc in my collection, I’ve also improved the transfers of the other Zacharewitsch recordings which have appeared here.

Arensky – Variations on a Theme of Tchaikovsky, Op.35a

Mediafire link for Arensky – Variations on a Theme of Tchaikovksy – Sevitzky

(This is an mp3 file – left click the link, download the file)

RCA Victor Red Seal DM 896 (11-8155/6)
Matrices 056558 7, 056559 1, 056560 1A4, 056561 10 (11-8155/6 auto, 11-8153/4 manual)
Recorded 1942

Part 1 – Variations 1 and 2
Part 2 – Variations 3 and 4
Part 3 – Variations 5 and 6
Part 4 – Variation 7 and Finale

Philadelphia Chamber String Sinfonietta, Fabien Sevitzky conductor

Album notes:

Arensky – Variations on a Theme of Tchaikovsky, Op.35a

Anton Arensky was one of the most distinguished Russian composers of his period. Endowed with a natural facility of musical diction, a tenderness of feeling and a gift for simple and beautiful melody, Arensky soon won the warm friendship of his older and greater contemporary, Peter Ilyitch Tchaikovsky. A word concerning the cordial relationship between the two men is in order, for it is a melody by Tchaikovsky which forms the basis for the variations by Arensky recorded here. Tchaikovsky found in Arensky “a man of remarkable gifts” (as he expressed it in a letter to Mme. von Meck), not the least of which was an impeccable technical equipment in the craft of composition which, in Tchaikovsky’s words, “deserves unqualified praise.” As an older and more experienced composer, Tchaikovsky occasionally felt called upon to criticize certain aspects of Arensky’s music. The criticism was kindly but firm, and, in one instance at least, reveals perhaps more about Tchaikovsky than it does about Arensky. Arensky had submitted a work (Marguerite Gautier) based on the famous La Dame aux Camelias of Dumas fils – the work which served Verdi as the foundation for his La Traviata. Tchaikovsky disapproved, failing to see how “an educated musician” could have chosen so trivial a work when such authors as Homer, Shakespeare, Dante, Pushkin, Gogol, Tolstoy were available as sources of inspiration. But Tchaikovsky could be extraordinarily kind as well. He put himself to considerable trouble to gain Arensky a hearing. He recommended Arensky’s book on musical theory to Jurgenson, the publisher. He wrote to Rimsky-Korsakoff asking as a favor that one of Arensky’s works be performed at one of his concerts. The manner in which the favours was asked is unique in the history of the friendship of composers, and indicates how much faith Tchaikovsky had in his friend’s talent. He proposed to Rimsky-Korsakoff that his own Rome overture be replaced by a composition of Arensky’s, arguing that where all Russian composers find a place, room should be made for Arensky. Arensky indicated his veneration for his friend by dedicating several of his compositions to Tchaikovsky. The present series of variations – originally a part of his string quartet, Op.35 – takes as its theme a song by Tchaikovsky.

In brief, the main outlines of Arensky’s biography follow. He was brought up amidst eminently musical surroundings. His father, a doctor, played the ‘cello, and his mother was reputed to have been an accomplished pianist. Arensky supplemented his early musical training with a course of study at the Petrograd Conservatory under Rimsky-Korsakoff. Following the completion of his studies – he graduated with honors – he was appointed professor of harmony and counterpoint at the Imperial Conservatory in Moscow in 1882. In 1889 he became a member of the Council of the Synodal School of Church Music at Moscow, a post which he held until 1893. For seven years he was conductor of the Russian Choral Society. In 189 he succeeded Balakirev, upon the latter’s own recommendation, as director of the Imperial Chapel at Petrograd. This post he resigned in 1901. He died in Terijoki, Finland, on February 25, 1906 following a long illness.

Liszt – Hungarian Rhapsody (No.2)

Download – Liszt – Hungarian Rhapsody No.2 – Marie Novello

(mp3 file – right click the link, then select “Save as”)

The Winner 3599 (10″)
Matrices 6849K-3, 6850R-3
Recorded November 1921
Marie Novello, piano

National Savings Movement presents “March of Freedom”

Download – March of Freedom – Joseph Batten

(mp3 file – right click the link, then select “Save as”)

EMI JG.303 (EMI: A Private Recording)
Matrices CTPX 12923-1, 12924-1
Recorded 3rd May 1945
London Symphony Orchestra, Joseph Batten
Thorpe Bates
, baritone (Side 1)
Walter Saull, baritone (Side 2)
Michael Shepley, compere (both sides)
Chorus (both sides)

Sullivan – HMS Pinafore – Captain’s song
(My gallant crew good morning… I am the captain of the Pinafore)

Download – Sullivan – HMS Pinafore – Captain’s Song – Thorpe Bates

(mp3 file – right click the link, then select “Save as”)

Gramophone Concert Record G.C.-4404 (10”)
Matrix 8352b (4404 II)
Recorded 16th June 1906
Orchestra
Sullivan Quartette:
Thorpe Bates
, baritone
Peter Dawson, bass-baritone
Stanley Kirkby, baritone
Ernest Pike, tenor

Thorpe Bates listed as soloist in Gramophone Company archives. Though the record label notes “Sullivan Quartette”, the ledgers give “Sullivan Operatic Party.” As noted earlier, Dawson is distinctly audible in the chorus. The recording ledgers do not list the chorus members, but Pike, Dawson and Kirkby were all in studio on the same day, recording with Bates and Eleanor Jones-Hudson in various combinations: Kirkby (recording as Walter Miller) was accomapnied by the Minster Singers, comprising Dawson, Bates, Pike and Jones-Hudson), and when Pike was the soloist his place is the same named group was taken by Kirkby.

Vaughan Williams – Serenade to Music

Download – Vaughan Williams – Serenade to Music – Henry Wood

(mp3 file – right click the link, then select “Save as”)

Columbia LX757-8
Matrices CAX 8367-2A, 8368-2A, 8369-1, 8370-1
Recorded 15th October 1938
BBC Symphony Orchestra, Sir Henry J. Wood
Isobel Baillie,
soprano – Lilian Stiles Allen, soprano – Elsie Suddaby, soprano – Eva Turner, soprano
Margaret Balfour, contralto – Muriel Brunskill, contralto – Astra Desmond, contralto – Mary Jarred, contralto
Parry Jones, tenor – Heddle Nash, tenor – Frank Titterton, tenor – Walter Widdop, tenor
Norman Allin, bass – Robert Easton, bass – Roy Henderson, baritone – Harold Williams, baritone

 

Mediafire link for recordings by Michael Zacharewitsch

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Schubert – Ave Maria
Zacharewitsch – Imagination

Edison Bell Velvet Face 509
80.0rpm
Matrices X1125E-?, X1126N-?
Michael Zacharewitsch, violin with piano

Wieniawski – Legende
Svendsen – Romanze

Edison Bell Velvet Face 517
Matrices X1122D-4, X1123B-4
80.0rpm
Michael Zacharewitsch, violin with piano

Sarasate – Zigeunerweisen (Gipsy Airs)
Edison Bell Velvet Face 525
81.9rpm
Matrices X1171E-1, X1172F-2
Michael Zacharewitsch, violin with piano

Dennis Noble sings for the National Savings scheme; Eugene Goossens – Delius in Cincinnati; Andreieff’s Balalaika Orchestra; Fucik’s Entry of the Gladiators – Coldstream Guards Band; Horenstein – Dvorak’s New World Symphony; Dean Dixon – Schumann and Schubert Symphonies, incidental music to Rosamunde

The second update of 2010 brings my typical mixed bag of recordings.

The first is an unusual recording by the wonderful British baritone Dennis Noble. It is not listed in the discography of Noble which appeared in The Record Collector in 2004. The record label is a private EMI pressing made to promote the National Savings scheme. The songs on one side are a “Silver Lining Medley”, and on the other “Look for the Silver Lining.” These were presumably chosen to tie in with the film “Look for the Silver Lining”, a 1949 biopic of Marilyn Miller. In the medley, Noble sings two songs, and C Wright (a very English tenor crooner) sings another. A fourth is assigned to the chorus. The second side has Noble singing with the chorus. Both sides are introduced by actor Norman Shelley.

Next, from around the same time, a British conductor in the US – Eugene Goossens with the Cincinnati Symphony Orchestra in Delius’s The Walk to the Paradise Garden.

Some decades before, a Russian conductor made recordings in the US – Vassily Andreyev took his Balalaika Orchestra on tour there in 1911. One of the sides he made has appeared here before, when it was a coupling for Landon Ronald’s abridged recording of Schubert’s Unfinished Symphony.

An altogether different sound comes from an early single-side Zonophone of Fucik’s “Entry of the Gladiators”, recorded a little before it acquired its circus connotations. The Zonophone Military Band credited on the label are actually the Band of H.M. Colstream Guards.

Maintaining the Czech theme, Dvorak’s New World Symphony receives a compelling performance from Jascha Horenstein on a Vox LP. The tempi are perhaps slow in places, but the conductor’s attention to detail makes for a highly satisfying account.

Finally, making a long overdue appearance here, the American conductor, Dean Dixon. I have more recordings by Dixon than can be given here – many are still in copyright, as he continued recording into the 1970s. The three LPs here include two symphonies by Schumann, two by Schubert, and Schubert’s Rosamunde music.

Silver Lining Medley:

Trad. – Roll away, clouds
Milton Egan – Song of the Dawn
Jack Ager – Over on the Sunny Side
Irving Berlin – Blue Skies

Jerome Kern – Look for the silver lining

Download – Silver Lining Medley – Dennis Noble, etc.

Download – Look for the silver lining – Dennis Noble, etc.

(mp3 file – right click the link, then select “Save as” or click the play button)

EMI JG.367
Matrices CTPX 14690-1, 14691-1
Recorded 1948?

Commentary by Norman Shelley
Dennis Noble
, baritone
C Wright, singer
Chorus
National Savings Symphony Orchestra, Cecil Woods

 

Record label for Dennis Noble's National Savings record

Record label for Dennis Noble’s National Savings record

Delius – The walk to the Paradise Garden (Intermezzo from A Village Romeo and Juliet)

Mediafire link for Delius – Paradise Garden – Goossens

(This is an mp3 file – left click the link, download the file)

RCA Victor 11-9493
Matrices D6-RC-5139, 5140
Recorded 14th February 1946, Cincinnati
Cincinnati Symphony Orchestra, Eugene Goossens

Traditional – Serenade Falet
Rubinstein – Bal Costumé – Toreador et Andalouse

Mediafire link for Andreieff’s Balalaika Orchestra

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Victrola 18058
Matrices B9996-1, 9978-1
Recorded 20th, 21st February 1911
Andreieff’s Balalaika Orchestra, Vassily Vassilievich Andreyev

The top half of the label has a replacement stuck over it:

SPECIAL RECORD
Manufactured for
THE GRAMOPHONE CO., LTD.
HAYES,
MIDDLESEX, ENGLAND
Made in U.S.A.

Fucik – Entry of the Gladiators

Download – Fucik – Gladiators – Coldstream Guards

(mp3 file – right click the link, then select “Save as” or click the play button)

Zonophone X-40168
Matrix 2293e (X40168V)
Recorded 19th July 1905
Band of H.M. Coldstream Guards, John Mackenzie-Rogan
(credited on label as Zonophone Military Band)

This recording plays just sharp of A major at 78rpm and, in A flat major at 73rpm. Transposition up to B flat major seems unnaturally fast, and A is an unlikely key for a military band. The piano score of the piece is in C major.

Dvorak – Symphony No.9 in E minor Op.95

Mediafire link for Dvorak – New World Symphony – Horenstein

(This is a zip file – left click the link, download the file, then unzip when downloaded)

I. Adagio – Allegro molto
II. Largo
III. Scherzo
IV. Allegro con fuoco

Vox PL 7590
Matrices XTV 17222-1D, 17223-1B
Recorded c1952, Vienna
Issued 1953
Vienna State Philharmonia, Jascha Horenstein

Reviewed in Gramophone, November 1953, where it was found to be better than recordings by Jorda and Kubelik.

 

Schumann – Symphony No.3 in E flat major Op.97 “Rhenish”

I. Lebhaft
II. Scherzo
III. Nicht schnell
IV. Feierlich
V. Lebhaft

Schumann – Symphony No.4 in D minor Op.120

I. Ziemlich langsam – Lebhaft
II. Romanze
III. Scherzo
IV. Langsam

Mediafire link for Schumann – Symphonies – Dean Dixon

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Westminster WL 5285
Matrices XTV  20239-1B, 20240-1A
Issued 1954
Vienna State Opera Orchestra, Dean Dixon

Schubert – Symphony No.4 in C minor (“Tragic”)

I. Adagio molto – Allegro vivace
II. Andante
III. Menuetto: Allegro vivace
IV. Allegro

Schubert – Symphony No.5 in Bb major

I. Allegro
II. Andante con moto
III. Menuetto: Allegro molto
IV. Allegro vivace

Mediafire link for Schubert – Symphonies – Dean Dixon

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Nixa NLP 913
Issued 1954
Royal Philharmonic Orchestra, Dean Dixon
(credited on label as Philharmonic Symphony Orchestra of London)

Schubert – Rosamunde – incidental music

Mediafire link for Schubert – Rosamunde – Dean Dixon

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Whitehall, WH 20069
Matrices M-18483-A-XTV-19105-IU, M-18483-B-XTV-19106-IU
Issued 1954

1. Overture (Alphonso and Estrella) (Andante – Allegro)
2. Entr’acte (Allegro molto moderato)
3. Ballet (Allegro moderato – Andante un poco assai)
4. Entr’acte (Andante)
5. Romance (Andante con moto) (a)
6. Chorus of Spirits (b)
7. Entr’acte (Andante)
8. Shepherd’s Melody (Andante)
9. Shepherd’s Chorus (Allegro) (b)
10. Hunting Chorus (Allegro moderato) (b)
11. Ballet (Andantino)

Vienna State Opera Orchestra, Dean Dixon
(a) Hilde Rössl-Majdan, mezzo-soprano
(b) Vienna Akademie Kammerchor

Franz André – Bizet’s Arlèsienne Suites; Ivanov, Gauk, Golovanov – Balakirev; Henry Wood – Purcell, Mendelssohn; Hamilton Harty – Tchaikovsky; Mengelberg – Johann Strauss II; The Virtuoso String Quartet – Debussy’s Quartet, Mendelssohn; Robert Carr – “The trail of the lonesome pine”, “When love creeps in your heart”

To begin the New Year, I’m looking back as well as forwards. Mendelssohn and Purcell had anniversaries in 2009, so you can hear works by them, conducted by Henry Wood. There’s also a movement from one of Mendelssohn’s String Quartets, as a filler for the Virtuoso Quartet’s recording of the Debussy String Quartet. There will be more from this quartet and from Wood in 2010. Also I hope to make more recordings by Hamilton Harty available here – so as a sort of teaser, one of those odd Columbia couplings, of Harty conducting Tchaikovksy and Mengelberg conducting Johann Strauss II (which serves as a late acknowledgement of the New Year’s Day Concert). From the LP era, comes a delightful sounding recording of Bizet’s Arlèsienne Suites from Franz André, and three Balakirev works, probably recorded in the early to mid-1950s, but here remastered from a Saga LP.

And as a curio, and a continuation of unusual vocal recordings, the widely recorded bass Robert Carr sings two songs on a Winner record, including an early recording of the Trail of the Lonesome Pine – rather more lugubrious than the version with Stan and Ollie.

Bizet – L’Arlèsienne Suites 1 & 2

Mediafire link for Bizet – L’Arlèsienne Suites – Franz André

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Telefunken LGX 666021
Matrices LP037096-1B, 037097-1B
Recorded 1st October 1953
Issued 1954
L’ Orchestre Symphonique de la Radiodiffusion Nationale Belge, Franz André

Suite No.1 – I. Prelude
Suite No.1 – II. Minuetto No.1
Suite No.1 – III. Adagietto
Suite No.1 – IV. Carillon

Suite No.2 – I. Pastorale
Suite No.2 – II. Intermezzo
Suite No.2 – III. Minuetto No.2
Suite No.2 – IV. Farandole

Balakirev – Russia
Soviet Radio Symphony Orchestra, Konstantin Ivanov
Balakirev – Overture on Three Russian Themes
Soviet Radio Symphony Orchestra, Alexander Gauk
Balakirev – Tamara
Soviet Radio Symphony Orchestra, Nikolai Golovanov

Mediafire link for Balakirev – Orchestral works

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Saga Sovereign XID 5101
Matrices XID 5101A, 5101B
Issued 1961
Recorded 1952 (Golovanov), mid 1950s? other items. All in mono

Purcell arr. Henry J Wood – Suite in Five Movements

Mediafire link for Purcell-Wood – Suite in Five Movements – Wood

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Decca K.975/6
Matrices TA 2967-II, 2968-II, 2969-II, 2970-III
Recorded 2nd April 1937
Available from October 1941
The Queen’s Hall Orchestra, Sir Henry J. Wood
George Stratton,
leader

No.1. Prelude from Act 3 “Dioclesian” (Molto maestoso)
No.2. Minuet from “Distressed Innocence” (Tempo di minuetto)
No.3. Largo from “5th Sonata for Strings, in three parts”
No.4. Song of the Birds (Allegro from “Timon of Athens”) No.5. Vivace from “1st Sonata for Strings”

Mendelssohn – Fingal’s Cave Overture; Two Songs without words

Mediafire link for  Mendelssohn – Hebrides, Songs without words – Wood

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Columbia 9843-4
Matrices WAX 4731-2, 4732-2, 4733-2, 4734-2 (S 808, 810, 811, 807)
Recorded 4th March 1929
Available from mid-September 1929 to February 1948
The New Queen’s Hall Orchestra, Sir Henry J. Wood

All sides run at about 76.8rpm

Fingal’s Cave Overture (“The Hebrides”) (3 sides)
Two Songs without Words – (1) Spring Song; (2) Bee’s Wedding (1 side)

Tchaikovksy – Mazeppa – Cossack Dance
Matrix CAX 6279-1
Recorded 12th February 1932
Hallé Orchestra, Sir Hamilton Harty

Johann Strauss II – Perpetuum Mobile
Matrix 6428-1
Recorded 11th May 1932, Concertgebouw, Amsterdam
Concertgebouw Orchestra, Amsterdam, Willem Mengelberg

Download – Tchaikovksy – Mazeppa – Cossack Dance – Harty

Download – Johann Strauss II _ Perpetuum Mobile – Mengelberg

(mp3 files – right click the link, then select “Save as” or click the play button)

Columbia LX 240

Debussy – String Quartet in G minor Op.10
Mendelssohn – Quartet in Eb major Op.43 – II. Scherzo

Mediafire link for Debussy – String Quartet – Virtuoso Quartet

(This is a zip file – left click the link, download the file, then unzip when downloaded)

His Master’s Voice D 1058-1061
Matrices Cc 6690-II, 6691-V, 6692-VII, 6711-IIII, 6712-IIII, 6713-II, 6891-IV, 7021-I (single side numbers 08218/9, 08220/5)
Recorded 14th September 1925 (side 1), 18th September (side 4, 6) 4th December 1925 (side 2, 3, 5, 7), 21st October 1925 (Mendelssohn)

No.1. First Movement – Animé et très décidé (First Record)
No.2. First Movement – Animé et très décidé (Second Record)
No.3. Second Movement – Assez vif et bien rythmé
No.4. Third Movement – Andantino doucement expressif (First Record)
No.5. Third Movement – Andantino doucement expressif (Second Record)
No.6. Fourth Movement – Très modéré (First Record)
No.7. Fourth Movement – Très modéré (Second Record)
String Quartet in Eb major Op.44, No.3 – II. Scherzo: Assai leggiero vivace

Virtuoso String Quartet
Marjorie Hayward,
violin
Edwin Virgo, violin
Raymond Jeremy, viola
Cedric Sharpe, cello

Bennett Scott – When love creeps in your heart – Ballad (lyrics AJ Mills)
Harry Carroll – The trail of the lonesome pine – Popular song

Download – When love creeps – Robert Carr

Download – The trail of the lonesome pine – Robert Carr

(mp3 files – right click the link, then select “Save as” or click the play button)

The Winner 2546
Matrices 1058B-2, 1059W-1 (3901)
Issued February 1914
Orchestra
Robert Carr, baritone

Play in E flat and A flat respectively at 80rpm

Susskind’s Messiah (improved transfer); Daisy Kennedy

I’ve now acquired a better source for Susskind’s Pye recording of Handel’s Messiah, which I present here in rather better sound than its previous appearance. I repeat below the full details of this recording:

This Pye recording from 1958 is announced on the blue folder it was issued in as “Handel’s Messiah – the original manuscript.” This is perhaps misleading – while the performance observes the traditional cuts for the period (with Part III particularly abbreviated), Susskind has removed the two centuries of orchestral accretions to the score, giving us an early attempt at Handel’s original scoring. It’s still very much a mid 20th century account of the work though, with nothing in the way of double-dotting, ornamentation or the fast tempos to which we are now more accustomed.

Mediafire link for Messiah Part 1 – Susskind

Mediafire link for Messiah Part 2 – Susskind

Mediafire link for Messiah Part 3 – Susskind

(These are zip files – left click the link, download the files, then unzip when downloaded)

Handel – Messiah
Pye Golden Guinea GSGL 10062
Matrices GSGL 10062 A-1L, B-2L, C-2L, D-2L, E-1L, F-1L
Recorded 1958
The London Orchestra, Walter Susskind
London Philharmonic Choir
(Choirmaster Frederick Jackson)
April Cantelo,
soprano
Helen Watts,
contralto
Wilfred Brown,
tenor
Roger Stalman,
bass
George Malcolm,
harpsichord
Harold Darke,
organ

This set of three stereo LPs (auto coupling) was in rather variable condition, with side 4 being particularly noisy. There are one or two places where the stereo focus drifts. I have corrected occasional pitch variations (in particular at an edit in “But who may abide.”) “The London Orchestra” is so named on the records, and is likely to be the London Philharmonic.

This recording was reviewed in Gramophone in November 1960, and its reissues on Pye’s budget Marble Arch label (both in full and as a single disc of highlights) were reviewed more briefly in February 1966.

More details

There’s more from Daisy Kennedy this month. Several of the raw transfers here were provided by Cheniston Roland of Violinland , and one disc comes from my collection.

All Daisy Kennedy recordings now available on the Daisy Kennedy page

(These are zip files – left click the link, download the file, then unzip when downloaded)

Drdla – Dance Op.96
Ethel Barnes – Swing Song (L’Escarpolette)
Columbia 2697
Matrices 35882, 35885
Recorded 1916
Available from September 1916
Daisy Kennedy, violin
with piano

Kosloff – Idylle Finnoise
Zimbalist – Slavonic Dance No. 2 (Hebrew song and dance)
Columbia 2698
Matrices 65490, 65492
Recorded 1916
Available from October 1916
Daisy Kennedy, violin
with piano
(from the collection of Cheniston Roland)

d’Ambrosio – Canzonetta
Kosloff – Melodie tartare
Columbia D1371
Matrices ??
Recorded c1917
Daisy Kennedy, violin
with piano
(from the collection of Cheniston Roland)

Kreisler – Liebesfreud
Zimbalist – Russian Dance
Columbia D1373
Matrices ??
Recorded c1917
Daisy Kennedy, violin
with piano
(from the collection of Cheniston Roland)

Rousseau – “Le Devin du Village” with Micheau, Gedda and Roux, conducted by Louis de Froment; Selections from Rameau operas, conducted by Nadia Boulanger; Renee Chemet – Introduction and Rondo Capriccioso; Eugene Goossens – selections from Tosca

La Guerre des Bouffons reaches my site today, with works from opposing sides of the French operatic conflict. Rousseau is better known as a philosopher, but fancied himself as something of a musician, and his “Le Devin du Village” was extremely influential in its day. It was later parodied by Mozart in “Bastien und Bastienne.” Rousseau was a proponent of Italian operatic style as exemplified by Pergolesi’s “La serva padrona,” and wrote articles supporting the Italian as opposed to the French style espoused by Rameau. Rousseau’s own amateur attempt at opera, though hugely popular at the time, sounds somewhat trite and pedestrian now, though it is given as good a performance as one could hope for in the recording below. Gedda is perhaps too strong for the role of Colin sometimes. The Rameau excerpts, to me, win out easily, directed by Nadia Boulanger.

Rousseau – Le Devin du Village

Mediafire link for Rousseau – Le Devin du Village – de Froment (1956)

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Columbia 33CX 1503
Matrices XPTX 394 21, 395 21 (M6 176329/30)
Recorded April 1956
Issued February 1958
Orchestre de Chambre Louis de Froment, Louis de Froment
     Nicolai Gedda, tenor (Colin)
Janine Micheau, soprano (Colette)
Michel Roux, bass (Le Devin)
Choeurs Raymond Saint-Paul

Rameau – Operatic Excerpts

Mediafire link for Rameau – Operatic excerpts – Boulanger

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Brunswick AXTL 1053
Matrices MC 3135-1B, MC 3136-3B
Issued 1954
Instrumental Ensemble, Nadia Boulanger

Dardanus – Act 2. Introduction – Tout l’avenir… Suspends ta brillante carrière… Hâtons-nous!… Nos cris ont pénétré
Doda Conrad, baritone with vocal ensemble

Castor et Pollux – Prologue: Minuet… Naissez, dons de Flore
Paul Derenne, tenor
Jean Maciet, tenor
Nadine Sautereau, soprano
Flore Wend, soprano

Hippolyte et Aricie – Act 5. Rossignols amoureux
Flore Wend, soprano

Dardanus – Act 3. O jour affreux!
Irma Kolassi, mezzo-soprano

Les Indes Galantes – Entrée 2. Clair flambeau
Bernard Demigny, baritone with vocal ensemble

Hippolyte et Aricie – O disgrâce cruelle – Overture and Fanfare
Irma Kolassi, mezzo-soprano with vocal ensemble

Hippolyte et Aricie – Ballet figuré

Castor et Pollux – Act 4. Séjour de l’éternelle paix
Paul Derenne, tenor

Les Fêtes d’Hébé – Prologue: Volons sure les bordes de la seine;
Acanthe et Céphise – Entr’acte;
Les Fêtes d’Hébé – Entrée I. Je vous revois
Nadine Sautereau, soprano
Flore Wend, soprano

Platée – Chantons Bacchus!
Paul Derenne, tenor with vocal ensemble

In the early years of his recording career, Eugene Goossens frequently recorded operatic pots-pourris, though it was something he did more often for Columbia than for HMV as here with the Royal Albert Hall Orchestra

Puccini arr. Tavan – Tosca – Selection

Download – Puccini/Tavan – Tosca – selection – Goossens

(mp3 file – right click the link, then select “Save as” or click the play button)

His Master’s Voice D 913
Matrices Cc 2668-IV, 2669-II (single side numbers 4-0592/3)
Recorded 19th January 1924, 7th March 1923, Hayes
Royal Albert Hall Orchestra, Eugene Goossens

The French violinist Renée Chemet is a virtually unknown name to most, but she did record extensively for the Gramophone Company. Her recorded repertoire consists mostly of minor works which were the staple fare for violinists on record at the time. She did however record a number of sonata movements, an arrangement of a Vivaldi concerto, a Mozart concerto with Goossens conducting (albeit the doubtful No.6, K268), and this favourite Saint-Saens work.

Saint-Saens – Introduction et Rondo Capriccioso

Download – Saint-Saens – Introduction et Rondo Capriccioso – Chemet

(mp3 file – right click the link, then select “Save as” or click the play button)

His Master’s Voice DB 887
Matrices Cc 6789-I, 6790-II (single side numbers 4-07955/6)
Recorded 28th September 1925, Hayes
Renée Chemet, violin
Harold Craxton,
piano