Damian's 78s (and a few early LPs)

Historic recordings remastered. Not a sales list!

Brahms Intermezzi played by PM Ireland; Vocal gems from Balfe’s The Bohemian Girl; Lulworth Cove – Queen’s Hall Light Orchestra – Charles Williams

While a big project slowly progresses, I’ll be posting occasional smaller updates. This latest includes three very different records, embracing opera, orchestra and piano.

Balfe – The Bohemian Girl – Vocal Gems:
Light Opera Company:

Sopranos: Della Baker, Helen Clark, Erva Giles, Emily Stokes Hagar, Olive Kline, Lucy Isabelle Marsh, Gladys Rice
Contraltos: Edna Indermauer, Marie Stone Langston, Mrs James Price
Tenors: Franklyn Baur, Richard Crooks, Charles H Hart,  Lambert Murphy
Baritones: Royal Dadmun, Elliott Shaw
Basses: Frank Croxton, Wilfred Glenn

Light Opera Orchestra, Rosario Bourdon

Balfe – The Bohemian Girl – Vocal gems – Bourdon

(mp3 file – click to play, or right click the link, then select “Save as”)

His Master’s Voice C 1382
Matrices CVE-17507-01, 17508-10 (HMV sides 2-04606, 2-04607)
Recorded 25th August 1926, Victor Church Building Studio, Camden, New Jersey

Score references to Boosey The Royal Edition vocal score (1899)
Side 1:
Intro.: – Away to Hill and Glen – I dreamt that I dwellt (Eb, p96-98, on pitch) – Heart bow’d down – Silence (D, p82-84, 87, semitone down) – Fair Land of Poland – Happy and light (Eb, p114-117)

Side 2
Intro.: – In the gipsy life (G, p32-35 – on pitch) – Come with the Gypsy Bride – Bliss for ever past – What is the spell – Then you’ll remember me (Db, p178-9) – Oh what full delight

 

Brahms – Intermezzo Op.119 No.1 and Intermezzo Op.117 No.1
PM Ireland, piano

Brahms – Intermezzo Op.119 No.1 – PM Ireland

Brahms – Intermezzo Op.117 No.1 – PM Ireland

(mp3 file – click to play, or right click the link, then select “Save as”)

Private Recording by Levy’s Sound Studios Ltd, London W.1. England
73 & 101 New Bond St., W.1 – Mafair 8521/2
Lacquer on aluminium disc
Unnumbered, no matrix numbers. Probably recorded around 1950

I have been unable to trace any information about the pianist PM Ireland who is heard on these two sides.

 

Charles Shadwell – Lulworth Cove
Queen’s Hall Light Orchestra, Charles Williams

Shadwell – Lulworth Cove – QHLO, Williams

(mp3 file – click to play, or right click the link, then select “Save as”)

Chappell C.163 (single sided)
Matrix CTP 12319-1
Recorded 1942-5

This piece of British light music is inspired by Lulworth Cove, on the south coast of England.

Albert Whelan – Dickens; Bransby Williams – Dickens and others; Wilhelm Backhaus – Chopin, Schubert, Beethoven, Brahms, Bach; Vladimir de Pachmann – Chopin; Mark Hambourg – Chopin, Schubert; Irene Scharrer – Chopin; Moritz Rosenthal – Chopin 1st Piano Concerto

This Christmas update brings a batch of Dickensian spoken word recordings and related items. A few of these have appeared here before, but are presented here in new transfers.

There are more items for the Chopin anniversary from various pianists, and some recordings by the same pianists of other composers, including a little festive Bach.

Albert Whelan (1875-1961) is remembered as a music hall entertainer, emigrating to England from his native Australia fairly early in his career. Given the nature of his career, it becomes hard to be sure whether these Dickens performances are intended sincerely or not. Certainly, The Death of Little Nell is worked for every ounce of sentimentality, and the orchestral backing carries it literally into the realms of melodrama as originally understood. This kind of performance makes one appreciate the reasons for Oscar Wilde’s withering put down of the scene, and is not easy to listen to after hearing more modern acting styles.

Dickens – The Old Curiosity Shop: The Death of Little Nell
Dickens – David Copperfield: Little Emily

Albert Whelan, actor
with Orchestra

Mediafire link for Dickens Monologues – Albert Whelan

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Zonophone The Twin Serial 268
Matrices 2211e, 7263e
Recorded 4th July 1905, 1907

Based on pitch of orchestral accompaniments, these have been transferred at 77.0rpm and 75.7rpm respectively.

Bransby Williams (1870-1961) is another music hall entertainer, born and bred in London. He was known very much for his impersonations (including a fine imitation of Henry Irving, the great Shakespearean), but also performed many characters from Dickens. He was particularly known for his Scrooge, and he recorded his Scrooge monologues for various companies. In  1928 he played the role in a short sound film, and also in a 1950 BBC TV production. He appeared in a number of silent films of works by Dickens. His recorded repertoire included many Dickens roles, and a number of other dramatic monologues and recitations, several of which are given here.

Mediafire link for Dickens and other recitations – Bransby Williams

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Dickens – A Christmas Carol – Scrooge No.3 The Awakening
Dickens – A Tale of Two Cities – Sydney Carton’s Farewell

Bransby Williams, actor
His Master’s Voice C 500
Matrices 3704f, 2636f (01031, 01014)
Recorded 7th October 1909, 9th October 1908

Recorded at about 81rpm and 80rpm respectively

Dickens – David Copperfield: Micawber and Uriah Heep
Cuthbert Clarke & Charles H Taylor – Devil May Care

Bransby Williams, actor
His Master’s Voice C 501 (first side also on Gramophone Monarch 01011)
Matrices 2631f, 2634f (01011, 01021)
Recorded 9th October 1908

Both sides recorded at about 80rpm

Dickens – A Christmas Carol – Scrooge: Before the Dream; After the Dream
Bransby Williams, actor
The Winner 2533
Matrices 1033D, 1034K
Recorded 1913
Available from January 1914

Milton Hayes – The Green Eye of the Yellow God
Chas J Winter – The Caretaker

Bransby Williams, actor
Columbia 388 (80rpm)
Matrices 6352-3, 6353-3 (1054/5)
Recorded 2nd May 1924
Available from June 1924 to May 1926

These sides were recorded 3 times. First in 1913 (6352-1, 6353-2), available from July 1913 to June 1924. They were then replaced with versions recorded on 2nd May 1924 (6352-3, 6355-3). These were in the catalogues until May 1926, when the electrically recorded remakes of 1st April 1926 replaced them (WAX 1400-1, 1401-1). These were deleted from the catalogue in February 1943

Dickens – The Pickwick Papers – Tony Weller
Dickens – Oliver Twist – Bill Sykes

Bransby Williams, actor
Columbia-Rena 400
Matrices 6354-1 or -2, 6355-2
Recorded 1913
Available from September 1913 to June 1924

Columbia 400
Matrices 6354-4, 6355-4 (1056/7)
Recorded 23rd and 21st May 1924
Available from June 1924 to July 1929

These two versions of the same “Dramatic Recitals” show how Williams’s performances varied. The broad outline of each version is the same, but there are differences in the details. Another, slightly cut, version of the Tony Weller scene was filmed for British Pathé

Dickens – A Christmas Carol – Scrooge: Before the Dream; The Dream; After the Dream
Dickens – David Copperfield: Micawber’s Advice to Copperfield

Bransby Williams, actor
Columbia 347 (81.8rpm)
Matrices WAX 1397-2, 1396-2 (6043, 6042)
Recorded 31st March 1926
Available from May 1926 to February 1944

Columbia 348 (80rpm)
Matrices 6277-1, 6278-1
Recorded 1912
Available from December 1923 to May 1924

This set was recorded 3 times. First in 1912 (6275-2, 6276-2, 6277-1, 6278-1), available from December 1912 to May 1924. It was then replaced with versions recorded on 14th and 4th April 1924 (6275-3, 6276-3, 6277-4, 6278-3). These were in the catalogues until May (347) and June (348) 1926, when the electrically recorded remakes of 31st March 1926 replaced them (WAX 1397-2, 1396-2, 1398-1, 1399-1). These were deleted from the catalogue in February 1944

Dickens, Lee, Weston – A Charles Dickens Christmas
Bransby Williams, actor
with various other performers
Columbia DX 554
Matrices CAX 6971-1, 6972-1
Recorded October 1933, London

The pianist Mark Hambourg has already featured on this site. The latest item is one of his earlier acoustic recordings, of Chopin and Schubert.

Download – Chopin – Polonaise in A – Mark Hambourg

Download – Schubert-Tausig – Marche Militaire – Mark Hambourg

(mp3 files – right click the link, then select “Save as”)

Chopin – Polonaise in A major Op.40 No.1 (“Military”)
Schubert-Tausig – Marche Militaire

Mark Hambourg, piano
His Master’s Voice D 486
Matrices HO 4160af, 4162af (05646, 05647)
Recorded 15th December 1919, London

Wilhelm Backhaus (1884-1969) is without doubt one of the most famous of recorded pianists, with a studio career stretching from acoustic recordings in the first decade of the twentieth century through to stereo recordings in the 1960s. The recordings below show him in core repertoire from 1913 to 1934.

Mediafire link for Chopin, Schubert, Beethoven and Brahms – Wilhelm Backhaus

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Chopin – Etude in E major Op,10 No.7; Waltz in D flat major Op.64 No.1 (“Minute”)
Schubert – Moment Musical Op.94 No.3; Hark, hark the lark
Wilhelm Backhaus, piano

His Master’s Voice D 170 (81rpm)
Matrices z7358f, z7360f (05553, 05550)
Recorded 20th May 1913, London

Brahms – Variations on a Theme by Paganini Op.35 Book 1 (Theme and Variations 1-8; Variations 9 -13)
Wilhelm Backhaus, piano
His Master’s Voice D 1019
Matrices Cc 5437-II, 5438-III (05855, 05856)
Recorded 5th December 1924, London

Chopin – Fantaisie Impromptu in C sharp minor Op.66
Chopin – Prelude in C major Op.28 No.1; Etude in C major Op.10 No.1
Wilhelm Backhaus, piano
His Master’s Voice DB 2059
Matrices 2B 5391-II, 5392-IV (32-4189, 32-4190)
Recorded 7th and 10th October 1933, London

Beethoven – Piano Sonata in C sharp minor Op.27 No.2 (“Moonlight”)

I. Adagio sostenuto (1 side)
II. Allegretto
(½ side)
III. Presto agitato
(1½ sides)

Bach arr Lucas – Pastorale from “Christmas Oratorio”
Wilhelm Backhaus, piano
His Master’s Voice DB 2405-6
Matrices 2EA 518-II, 519-III, 520-III, 516-II
Recorded 6th (sides 1 and 4) and 8th (sides 2 and 3) November 1934, Abbey Road Studio No.3, London

Vladimir de Pachmann (1848-1933) was highly regarded for his wonderful Chopin playing. The odder aspects of his platform behaviour carried into the recording studio, and his comments can be heard on several of the recordings here.

Mediafire link for Chopin – Vladimir de Pachmann

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Chopin – Prelude in B minor Op.28 No.6; Etude in G flat major Op.67 No.1
Chopin – Etude in G flat major Op.10 No.5
Vladimir de Pachmann, piano
His Master’s Voice DA 1302
Matrices Bb 6258-I, 11763-I (30-10220, 30-10221)
Recorded 26th June 1925, Hayes, Studio B and 3rd November 1927, C Studio, Small Queen’s Hall, London

Chopin – Nocturne in B major Op.32 No.1
Chopin – Impromptu in F sharp major Op.36 No.2
Vladimir de Pachmann, piano
His Master’s Voice DB 859
Matrices Cc 6259-II, 6261-I (05854, 05853)
Recorded 26th June 1925, Hayes, Studio B

Chopin – Nocturne in D flat major Op.27 No.2
Chopin – Etude in F major Op.25 No.3; Valse in C sharp minor Op.64 No.2
Vladimir de Pachmann, piano
His Master’s Voice DB 860
Matrices Cc 6253-I, 6260-I (05859, 05860)
Recorded 26th June 1925, Hayes, Studio B

Moritz Rosenthal (1862-1946) was a pupil of Liszt, and recorded extensively.

Chopin – Piano Concerto No.1 in E minor Op.11

Mediafire link for Chopin – Piano Concerto 1 – Moritz Rosenthal, Frieder Weissmann

(This is a zip file – left click the link, download the file, then unzip when downloaded)

I. Allegro maestoso
II. Romanza
III. Rondo vivace

Moritz Rosenthal, piano
Berlin State Opera Orchestra, Frieder Weissmann

Parlophone R 902-4, E 11113-4 (3 10” and 2 12” records)
Matrices W 38839, 38840, 133019, 133020, 133021, 133026, W 2-21695-3, 21696-2, 2-21697, 2-21698
Recorded 1st May 1839m 26th November 1930, 2nd March 1931, Berlin

Several sides of this recording are afflicted with a high pitched whistling noise, which I have done my best to ameliorate. Additionally, there is a twenty-six bar overlap between sides 3 and 4, so I have given two versions of the first movement, with the edit at the start and end of the overlapping section.

The recording is also somewhat cut:

1st movement:
Side 1: b1-24, b139-221
Side 2: b221-333
Side 3: b333-434
Side 4: b408-510
Side 5: b510-588
Side 6: b589-689

2nd movement:
Side 7: b12-71 (orchestral introduction omitted)
Side 8: b72-126

3rd movement:
Side 9: b1-47, b88-260
Side 10: b260-295, b327-520

Irene Scharrer (1888-1971) was one of the UK’s best known pianists. While perhaps best remembered for her recording with Henry Wood of the Litolff Scherzo, she was in fact a regular in the recording studios from around 1909 onwards. She made concerto recordings with Landon Ronald, and even attempted the Litolff Scherzo with him in 1915, though it was never issued.

Chopin – Scherzo No.2 in B minor Op.31
Irene Scharrer, piano

Download – Chopin – Scherzo No.2 – Irene Scharrer

(mp3 file – right click the link, then select “Save as”)

Columbia DX 433
Matrices CAX 6604-3, 6605-2
Recorded 5th December 1932, London

Gordon Jacob’s William Byrd Suite – Coldstream Guards Band (1925); Stanley Chapple – Brahms Hungarian Dances, Elgar Pomp and Circumstance No.1; Franz André – Eric Coates, Elgar, Gershwin; Frieder Weissmann – Strauss’s Tod und Verklärung; Arthur Meale – Thalberg’s “Home Sweet Home”, Ascher’s “Alice, Where Art Thou?”; Capiton Zaporojetz – The Song of the Flea, Drinking (In cellar cool); Early recordings by Julie Andrews

It’s been more than a month since my last update, so there are quite a number of items to add this time. The recordings range from acoustic 78s through to mono LP, and include military band, orchestra, piano and vocal recordings.

Gordon Jacob – Suite by William Byrd

Mediafire link for Jacob – William Byrd Suite – Coldstream 1925

(This is a zip file – left click the link, download the file, then unzip when downloaded)

No.1 – The Earle of Oxford’s Marche (¾ side)
No.5 – Wolsey’s Wilde (¼ side)
No.6 – The Bells (1 side)

His Master’s Voice C 1215
Matrices Cc 5982-II, 5983-I (single-side numbers 2-0419/20)
Recorded 2nd April 1925
Band of H.M. Coldstream Guards, Lieut. R.G. Evans

Gordon Jacob’s arrangement of a number of keyboard pieces by William Byrd was made for Military Band in 1923 and orchestra in 1924. It is likely that this late acoustic recording was the earliest recording of these three movements.

Between 1909 and 1927, A=452Hz was the standard pitch for British military bands. A change to the Kings Regulations in 1927 adopted modern pitch of A=439Hz. At 78rpm the record plays at about the expected A=452Hz, slightly more than a semitone sharper than modern pitch.

Brahms – Hungarian Dances Nos. 1 and 2
Elgar – Pomp and Circumstance March No.1

Download – Brahms – Hungarian Dances Nos. 1 and 2 – Stanley Chapple

Download – Elgar – Pomp and Circumstance March No.1 – Stanley Chapple

(mp3 files – right click the link, then select “Save as” or click the play button)

Broadcast Twelve 5033
Matrices Lo.104x, LO.103
Recorded c1929
Metropolitan Symphony Orchestra, Stanley Chapple

Chapple (1900-1987) was music director for the Aeolian Company, and conducted frequently for them, though the recordings are hard to find now. These  Broadcast Twleve sides are badly affected by the persistent whistle which seems so common a feature of records on this label. I have done my best to alleviate this problem, so when you notice the remnants of it, bear in mind that it was originally much worse than it sounds now. As the whistle oscillates in pitch, whilst also gradually decreasing pitch and increasing amplitude until the end of the record, correcting it proved to be a major task!

 

Coates – London Suite

I. Covent Garden (Tarantelle)
II. Westminster (Meditation)
III. Knightsbridge (March)

Coates – London Bridge
Elgar – Pomp and Circumstance March No.1 in D major Op.39
Gershwin – An American in Paris

Mediafire link for Coates, Elgar, Gershwin – Franz André

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Telestar 10049
Matrices LP-071621-I, LP-038079-III
Recorded 2nd to 7th April 1958 (Coates), 20th April 1957 (Elgar), 19th April 1957 (Gershwin)
L’ Orchestre Symphonique de la Radiodiffusion Nationale Belge, Franz André

 

R. Strauss – Tod und Verklärung – Symphonic Poem Op.24

Download – Strauss – Tod und Verklärung – Weissmann

(This is an mp3 file – left click the link, download the file)

American Decca 25350/2
Matrices 2-21619-2, 21620, 21621-2, 21622-2, 21623, 21624 C
Recorded c1930
Philharmonic Orchestra, Frieder Weissmann

I originally transferred this recording about four years ago, before this website was born. The present file is a completely new transfer, in much improved sound.

 

R. Thalberg – Home, Sweet Home
Ascher – Alice, Where Art Thou?

Download – Thalberg – Home, Sweet Home – Arthur Meale

Download – Ascher – Alice, Where Art Thou? – Arthur Meale

(mp3 files – right click the link, then select “Save as” or click the play button)

His Master’s Voice B 3166
Matrices Bb 17255-III, 17256-III (single-side numbers 30-833/4)
Recorded 19th August 1929, London, Small Queen’s Hall, Studio C
Arthur Meale, piano

Arthur Meale was the regular organist of the Queen’s Hall. He made many organ recordings in a light and popular classical vein. This record gives us the rare opportunity to hear him as a pianist, in two nineteenth century virtuoso salon pieces. For UK comedy fans, Ascher’s melody is the one that was used as the title music for the Ronnie Barker and David Jason sitcom “Open All Hours”.

This record is in very poor condition, with a serious fracture, and a noisy surface with significant distortion – it’s still a fun listen, though.

Mussorgsky – Song of the Flea
Traditional – Drinking (In cellar cool)

Download – Mussorgsky – Song of the Flea – Capiton Zaporojetz

Download – Trad – Drinking (In cellar cool) – Capiton Zaporojetz

(mp3 files – right click the link, then select “Save as” or click the play button)

Columbia L 1991
Matrices WAX 2739-1, 2740-1 (7664/5)
Recorded 12th May 1927
Available from October 1927 to April 1941
Capiton Zaporojetz, bass with piano

I was prompted to transfer this after seeing Zaporojetz’s name mentioned in a couple of places recently. Firstly, in the booklet notes for “Firebirds of Paris”, a Ward Marston CD of French recordings of Russian repertoire from around 1930. Zaporojetz is noted as singing Prince Yuri in Rimsky-Korsakov’s Kitezh in 1926 in Paris, then in 1929 in the premiere of Stravinsky’s Oedipus Rex. He also sang the same role in Kitezh in 1935.

A few weeks after reading this, I was reading the June 2010 issue of “The Record Collector”, and the article on Marguerite D’Alvarez mentioned a concert on 2 October 1927 in London, where Thomas Beecham conducted “An Afternoon of Grand Opera” at the Royal Albert Hall. with Austral, Burke, D’Alvarez and Zaporojets.

 

Gounod – Romeo  & Juliet – Je veux vivre
Easthope Martin – Come to the fair (from “Songs of the Fair”)

Columbia DB 2470
Matrices CA 20923-2, 20924-1
Recorded c1948
Julie Andrews, soprano
Ted Andrews, baritone (Come to the fair)
Barbara Andrews, piano

Mozart-Adam – Ah! vous dirai-je mama
Benedict – The Wren

Columbia DB 2553
Matrices CA 21114-1, 21115-1
Recorded c1948
Julie Andrews, soprano
Orchestra, Ted Andrews

Mediafire link for Julie Andrews – early recordings

(This is a zip file – left click the link, download the file, then unzip when downloaded)

The first of these records has appeared here previously. It has been retransferred to be presented here with another of Julie Andrews early 78s.