Damian's 78s (and a few early LPs)

Historic recordings remastered. Not a sales list!

A Night at the Proms with Henry Wood

On Friday 17th July the BBC Proms began. It’s 120 years since the first Proms season, and for the first fifty seasons, Sir Henry Wood did the lion’s share of the conducting.

Wood’s discography is large, and includes many works he performed at the proms. In 1934, Columbia made a compilation record of excerpts of Wood’s recordings from 1925 to 1933, titling it “A Night at the Proms.”

A Night at the Proms – music by Bizet, Schubert, Rossini, Mendelssohn, Bach and Nicolai – conducted by Sir Henry Wood

Wood – A Night at the Proms

(mp3 file – click to play, or right click the link, then select “Save as”)

Columbia DX 724
Matrices CAX 7731-1, 7730-1
Recorded 19th April 1934, London
Issued August 1934

Contents

Bizet – Carmen – Prelude to Act 1
(from L1208R, 1st October 1926, New Queen’s Hall Orchestra, 78.7rpm)
Schubert – Symphony No.8 in B minor- “The Unfinished” – start of first movement
(from DX 551, 30th October 1933, London Symphony Orchestra, 77.4rpm)
Rossini – William Tell – Overture – final section
(from 5059, 13th July 1928, New Queen’s Hall Orchestra, 76.1rpm)
Mendelssohn – Fingal’s Cave – Overture – opening
(from 9843, 4th March 1929, New Queen’s Hall Orchestra, 75.7rpm)
Mendelssohn – Spring Song – opening
(from 9844, 4th March 1929, New Queen’s Hall Orchestra, 75.7rpm)
J.S. Bach – Brandenburg Concerto No.3 in G – start of first movement
(from LX 173, 16th June 1932, British Symphony Orchestra, 76.1rpm)
Nicolai – Merry Wives of Windsor – Overture – final section
(from L 1723, 7th December 1925, New Queen’s Hall Orchestra, 80.1rpm)

The original recording speeds of the records Columbia re-recorded for this compilation vary somewhat, so for this transfer, I’ve repitched each selection to A440.

 

 

Landon Ronald – Tchaikovsky, Schumann, Wagner, Svendsen Bizet; Eugene Goossens – Tchaikovsky; Mary Law; Il Trovatore – Carrie Lanceley & Gwilym Richards; Daisy Kennedy interviewed

People are probably starting to wonder just how many Landon Ronald recordings I have. There are still plenty more to come, and a few early transfers which I’m keen to revisit. So, for the summer, a selection of Tchaikovsky, Svendsen, Wagner and Bizet, including a bonus side by Eugene Goossens.

Schumann – Carnaval

Mediafire link for Schumann – Carnaval – Landon Ronald

(This is a zip file – left click the link, download the file, then unzip when downloaded)

His Master’s Voice D 1840/2
Matrices Cc 18734-III, 18735-I, 18736-III, 18745-III, 18746-II, 18747-II (single side numbers 32-1373/8)
Recorded 8th (sides 1 and 2) and 11th (sides 3 to 6) April 1930, Kingsway Hall, London

London Symphony Orchestra, Sir Landon Ronald

Side 1: (1) Preambule (2) Pierrot (3) Arlequin
Side 2: (4) Valse Noble (5) Eusebius (6) Florestan
Side 3: (7) Coquette (8) Papillons (9) Lettres dansante (10) Chiarina
Side 4: (11) Chopin (12) Estrella (13) Reconnaissance
Side 5: (14) Pantalon et Colombine (15) Valse Allemande (16) Paganini (17) Aveu
Side 6: (18) Promenade (19) Pause (20) Marche des Davidsbundler contre les Philistins

Schumann’s piano suite is orchestrated variously here by Glazunov, Rimsky-Korsakov, Liadov, Tcherepnin and Arensky. After Coquette, Replique is omitted, and Paganini includes the reprise of the Valse Allemande

Tchaikovsky – Theme and Variations from Suite No.3 in G
Tchaikovksy – Chanson sans paroles (Song without words)

Mediafire link for Tchaikovsky – Theme and Variations, Chanson sans paroles – Landon Ronald

(This is a zip file – left click the link, download the file, then unzip when downloaded)

His Master’s Voice D 1798/1800
Matrices Cc 17901-II, 17902-I, 17904-III, 17903-II, 17905-IA, 17906-IIA (single side numbers 32-1028/33)
Recorded 3rd December 1929, Kingsway Hall, London

London Symphony Orchestra, Sir Landon Ronald

Side 1: Theme (Andante con moto) & Variations 1, 2, & 3
Side 2: Variations 4, 5, 6 & 7
Side 3: Variations 8, 9, & 10
Side 4: Variations 11 & 12 (First Record)
Side 5: Variation 12 (Second Record)
Side 6: Chanson sans paroles

The Chanson sans paroles may well be Ronald’s own orchestration.

Svendsen – Carnival in Paris
Tchaikovksy – Eugene Onegin – Polonaise (Act 3)

Mediafire link for Svendsen – Carnival in Paris, Tchaikovsky – Polonaise – Landon Ronald, Eugene Goossens

(This is a zip file – left click the link, download the file, then unzip when downloaded)

His Master’s Voice DB 1759/60
Matrices Cc 19735-II, 19736-II, 19737-II, 2B 598-I (single side numbers 32-1767/9, 32-2303)
Recorded 17th September 1929, Kingsway Hall, London (Svendsen)
Recorded 24th June 1931, Kingsway Hall, London (Tchaikovsky)

London Symphony Orchestra, Sir Landon Ronald (Svendsen)
London Symphony Orchestra, Eugene Goossens (Tchaikovsky).

Bizet – Carmen – Preludes to Act 1 and 2

Updated transfers now available

(This is a zip file – left click the link, download the file, then unzip when downloaded)

His Master’s Voice E 461
Matrices BR 936-IA, 937-II (single side numbers 6-830/1)
Recorded 21st January 1927, Queen’s Hall, London

Royal Albert Hall Orchestra, Landon Ronald

Wagner – Die Meistersinger – Overture

Mediafire link for Wagner – Die Meistersinger Overture – Landon Ronald

(This is an mp3 file – left click the link, download the file)

Opera Disc Company 65365
Matrices ac6117f, ac6119f (single side numbers 040760/1)
Recorded 2nd March 1912, London

New Symphony Orchestra, Landon Ronald

This recording has appeared here before, but is now presented in an improved transfer.

Mary Law was a young British violinist, born 1889, died 1919, possibly from tuberculosis. She recorded a number of sides for Zonophone in 1915, primarily of operatic fantasias – those arrangements that provided audiences the tunes they knew. In November 1915 she began a tour of Australia. The Melbourne Argus of November 23rd 1915 contains the following:

Just Arrived, Direct from London, Under Special Engagement and First Appearance in Australia of Miss MARY LAW, The Notable English Violinist. Miss Law has been honoured with Royal Commands galore, and can claim the distinction of having played before most Members of the Royal Family.

Verdi – Rigoletto, Fantasia
Rossini – William Tell, Fantasia

Mediafire link for operatic fantasias with Mary Law

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Zonophone Record The Twin – Serial A 187
Matrices z8393f, z8398f (single side numbers 047922/1)
Recorded 5th August 1915, London

Mary Law, violin with piano

The next item is the very traditional coupling on record of Ai nostri monti and the Miserere from Il Trovatore. This is a record on the short lived Pioneer label, which came into being in 1914, and lasted only until 1915. It’s on an earlier black label pressing, making 1914 the likely date. The two soloists are Australian soprano Carrie Lanceley and Welsh tenor Gwilym Richards. For more information on each, go to their respective pages.

Verdi – Il Trovatore – Home to our mountains; Miserere

Mediafire link for Verdi – Il Trovatore – duets with Lanceley and Richards

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Pioneer 135
Matrices 2522, 2523
Recorded 1914, London

Carrie Lanceley, soprano
Gwilym Richards, tenor
with Orchestra

Daisy Kennedy, the Australian violinist has already appeared here, playing Saint-Saens. The present recording, is somewhat of a departure. This is an interview with Daisy Kennedy, broadcast on the BBC as the interval feature for a concert by Rafael Kubelik. The dates of the concert or the original interview are unknown. Many thanks to to Cheniston K Roland for providing a copy of this interview. Kennedy reflects on how she began to learn the violin, playing for Jan Kubelik, studying with Sevcik, and working with Landon Ronald, Percy Pitt and Henry Wood.

Daisy Kennedy, interviewed by Irene Slade

Mediafire link for Daisy Kennedy interview

(This is an mp3 file – left click the link, download the file)

A full transcript can be found on my Daisy Kennedy page.