Philippe Gaubert
Scheherezade – Suite Symphonique Op.35

I. The Sea and Sinbad’s Ship (3 sides)
II. The Story of the Kalandar Prince (3 sides)
III. The Young Prince and the Young Princess (2 and a half sides)
IV. Festival of Bagdad: The Sea – The Ship is Wrecked (2 and a half sides)

L’Orchestre de la Société des Concerts du Conservatoire, Paris, Philippe Gaubert

Mediafire link for Rimsky-Korsakov – Scheherezade – Philippe Gaubert

(These are zip files – left click the link, download the files, then unzip when downloaded)

Columbia Masterworks Album 156 (DBX 1-6)
Matrices WLX 418, 419, 420, 476-2, 477-2, 478-1, 375, 376, 377, 416, 417 (9722, 9723, 9724, 10559, 10560, 10561, 9529, 9528, 9527, 9728, 9706
Recorded 6th July 1928, April 1929

Coupled with:
Bizet – L’Arlesienne Suite – Adagietto No.1 for Strings
Matrix WAX 5048 (12368)
Recorded 11th to 15th June 1929
Concertgebouw Orchestra, Amsterdam, Willem Mengelberg

Gaubert’s account of Scheherezade is substantially complete, and demonstrates the excellent sound obtained by French Columbia (though the noise level is high on some sides). Curiously, side 10 ends 28 bars after V and side 11 starts at W, an omission of 44 bars. Given that the work was going to be issued on 6 double sided records, it’s unclear why 12 sides were not used, rendering the cut unnecessary, along with the unusual filler side. The French Columbia issue of this set was coupled with Gaubert’s account of the Menuet from Ravel’s Le Tombeau de Couperin.

Lalo – Cello Concerto

I. 1er Temps (2½ sides)
II. Intermezzo (1½ sides)
III. Final (2 sides)

Maurice Maréchal, cello
Orchestre Symphonique, Philippe Gaubert

Mediafire link for Lalo – Cello Concerto – Maurice Maréchal, Philippe Gaubert

(This is a zip file – left click the link, download the file, then unzip when downloaded)

Columbia LFX 282-4
Matrices WLX 1619-3, 1620-2, 1621-3, 1622-3, 1623-1, 1624-1 (M6-62012, 62565, 62567, 62569, 62017, 62016)
Recorded June 5 1932 (sides 1 and 2), June 6 1932 (remainder)

The first movement has several cuts: bars 7-12 of fig 7; first 8 bars of fig 8; from beat before fig 9 to last beat of 10th bar of fig 9.